Wendlinger Tristan - Abysse





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Wendlinger Tristan, Abysse, an original acrylic painting (30 cm high by 90 cm wide) signed by hand, created in France in 2020 or later in an abstract style, employing coffee grounds and modelling paste with delicate gold leaf flecks, sold directly from the artist.
Description from the seller
Dive into the unexplored abysses of the oceans with a captivating work that embodies the mystery and beauty of the seafloor. Did you know that only 5% of the oceans have been explored to date? That means the vast majority of this underwater world remains a true mystery, concealing priceless treasures and unknown marvels.
This immersive painting transports you to an unknown world, both dark and icy, where underwater mountains rise majestically. The pronounced texture and striking relief are created using an ingenious blend of coffee grounds and modeling paste, bringing life to the shapes and contours of these mysterious geological formations.
Treasures buried since ancient times are represented by delicate shavings of gold leaf, which gleam and catch the light, evoking the wealth and beauty of discoveries that await the brave explorers of the depths.
Dive into the unexplored abysses of the oceans with a captivating work that embodies the mystery and beauty of the seafloor. Did you know that only 5% of the oceans have been explored to date? That means the vast majority of this underwater world remains a true mystery, concealing priceless treasures and unknown marvels.
This immersive painting transports you to an unknown world, both dark and icy, where underwater mountains rise majestically. The pronounced texture and striking relief are created using an ingenious blend of coffee grounds and modeling paste, bringing life to the shapes and contours of these mysterious geological formations.
Treasures buried since ancient times are represented by delicate shavings of gold leaf, which gleam and catch the light, evoking the wealth and beauty of discoveries that await the brave explorers of the depths.

