Masini Daniele - notturno






Studied art history at Ecole du Louvre and specialised in contemporary art for over 25 years.
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Daniele Masini, notturno, an original 2026 oil painting in Surrealism, 30 × 24 cm, hand-signed, created in Italy and sold directly by the artist.
Description from the seller
The fluid and organic forms of “Notturno” do not imitate nature: they reinvent it.
Masini shapes figures that seem to emerge from ancient dreams, from cellular memories, from a pre-verbal time.
The body becomes landscape, and the landscape becomes body
"Notturno" is not darkness, but gestation. It is the moment when light recedes and makes room for intuition, ritual, metamorphosis. The deep tones and layered textures evoke a silence charged with presences, a visual altar where the visible and the invisible meet.
Rejection of improvisation, tension of the gesture
Masini does not leave things to chance. Every curve, every chromatic fold is the result of critical reflection, of an inner tension that translates into a painterly gesture. His poetics is deliberate, combative, as if every work were a duel between order and chaos.
Symbolism and contaminated Mediterranean memory
The work lies along a line that traverses European symbolism, yet it contaminates it with Mediterranean rationality. The result is a painting that does not describe, but evokes. It does not narrate, but interrogates. Symbols are not keys, but thresholds.
The fluid and organic forms of “Notturno” do not imitate nature: they reinvent it.
Masini shapes figures that seem to emerge from ancient dreams, from cellular memories, from a pre-verbal time.
The body becomes landscape, and the landscape becomes body
"Notturno" is not darkness, but gestation. It is the moment when light recedes and makes room for intuition, ritual, metamorphosis. The deep tones and layered textures evoke a silence charged with presences, a visual altar where the visible and the invisible meet.
Rejection of improvisation, tension of the gesture
Masini does not leave things to chance. Every curve, every chromatic fold is the result of critical reflection, of an inner tension that translates into a painterly gesture. His poetics is deliberate, combative, as if every work were a duel between order and chaos.
Symbolism and contaminated Mediterranean memory
The work lies along a line that traverses European symbolism, yet it contaminates it with Mediterranean rationality. The result is a painting that does not describe, but evokes. It does not narrate, but interrogates. Symbols are not keys, but thresholds.
