La Sainte Bible - 1874

07
days
20
hours
38
minutes
59
seconds
Current bid
€ 1
No reserve price
Volker Riepenhausen
Expert
Selected by Volker Riepenhausen

Specialist in travel literature and pre-1600 rare prints with 28 years experience.

Estimate  € 150 - € 200
5 other people are watching this object
FRBidder 0290
€1

Catawiki Buyer Protection

Your payment’s safe with us until you receive your object.View details

Trustpilot 4.4 | 127923 reviews

Rated Excellent on Trustpilot.

Two-volume folio edition of La Sainte Bible, 1874, in French, published by Alfred Mame et Fils, Tours, illustrated by Gustave Doré, with red hardcover bindings and gold tooling, 1957 pages, 44 x 34 cm, in reasonable condition.

AI-assisted summary

Description from the seller

Folio edition of the Sainte Bible published by Alfred Mame in Tours in 1874, one of the most spectacular achievements of French Catholic publishing in the 19th century, and one of the peaks of Gustave Doré’s biblical art (1832‑1883).

Doré, a prolific engraver, painter, and illustrator, established himself in his time with his images for The Divine Comedy, Don Quixote, or Rabelais, in a climate of late Romanticism and spectacular religious imagery that perfectly suited a luxury Bible. Alongside him, the Tours-based publisher Alfred Mame (1811‑1893), a true industrialist of Catholic publishing, implemented in Tours a modern tooling and a quasi-manufacturing organization, serving a program of “texts conforming to doctrine,” of which this Bible is its prestigious flagship. Doré draws from the entire sacred narrative—Creation, the Flood, patriarchs, episodes of the Exodus, the history of the kings, the prophets, the life of Christ, and the Apocalypse—favoring spectacular or pathetic moments, which yields images that have become iconic, such as “God separating the light from the darkness” or “Lot’s flight.”

The 1874 edition reprises the grand “Holy Bible, a new translation according to the Vulgate” by the Tours canon J.-J. Bourassé (1813‑1872) and P. Janvier, approved by the Archbishop of Tours and presented as a scholarly and reliable alternative to the Lemaistre de Sacy translation. The work is presented in two large folio volumes of 909 and 948 pages, in red publisher’s cloth with gilt on the spine and covers, and illustrated with about 230 large plates hors texte, to which are added numerous vignettes, tailpieces, and initial capitals drawn notably by H. Giacomelli (1829‑1906), which constitute a genuine “imaginary museum” of biblical scenes.

Overall, the condition is average due to the state of the bindings, necessarily weakened by their weight and size: the bindings are rubbed and worn with fabric losses here and there, they bear ink traces, pasted-on vignettes on the endpapers, rare foxing and other minor defects."

Seller's Story

Les Colporteurs have been practicing for more than twenty years and offer a variety of books with a predilection for the old and the rare. They also act as experts in old books for courts, estates and auctions in Vendée and Aquitaine.

Folio edition of the Sainte Bible published by Alfred Mame in Tours in 1874, one of the most spectacular achievements of French Catholic publishing in the 19th century, and one of the peaks of Gustave Doré’s biblical art (1832‑1883).

Doré, a prolific engraver, painter, and illustrator, established himself in his time with his images for The Divine Comedy, Don Quixote, or Rabelais, in a climate of late Romanticism and spectacular religious imagery that perfectly suited a luxury Bible. Alongside him, the Tours-based publisher Alfred Mame (1811‑1893), a true industrialist of Catholic publishing, implemented in Tours a modern tooling and a quasi-manufacturing organization, serving a program of “texts conforming to doctrine,” of which this Bible is its prestigious flagship. Doré draws from the entire sacred narrative—Creation, the Flood, patriarchs, episodes of the Exodus, the history of the kings, the prophets, the life of Christ, and the Apocalypse—favoring spectacular or pathetic moments, which yields images that have become iconic, such as “God separating the light from the darkness” or “Lot’s flight.”

The 1874 edition reprises the grand “Holy Bible, a new translation according to the Vulgate” by the Tours canon J.-J. Bourassé (1813‑1872) and P. Janvier, approved by the Archbishop of Tours and presented as a scholarly and reliable alternative to the Lemaistre de Sacy translation. The work is presented in two large folio volumes of 909 and 948 pages, in red publisher’s cloth with gilt on the spine and covers, and illustrated with about 230 large plates hors texte, to which are added numerous vignettes, tailpieces, and initial capitals drawn notably by H. Giacomelli (1829‑1906), which constitute a genuine “imaginary museum” of biblical scenes.

Overall, the condition is average due to the state of the bindings, necessarily weakened by their weight and size: the bindings are rubbed and worn with fabric losses here and there, they bear ink traces, pasted-on vignettes on the endpapers, rare foxing and other minor defects."

Seller's Story

Les Colporteurs have been practicing for more than twenty years and offer a variety of books with a predilection for the old and the rare. They also act as experts in old books for courts, estates and auctions in Vendée and Aquitaine.

Details

Number of Books
2
Book Title
La Sainte Bible
Condition
Fair
Publication year oldest item
1874
Height
44 cm
Width
34 cm
Language
French
Publisher
Alfred Mame et Fils, Tours
Binding/ Material
Hardback
Number of pages
1957
FranceVerified
1709
Objects sold
100%
protop

Similar objects

For you in

Books