Rodolfo Guzzoni - le cose non dette 322

The series of paintings, 'Things Left Unsaid,' achieves a new, surprising synthesis between the painterly mastery of ultra-realism and the power of symbolism. The artist stages a dance of ethereal objects: crumpled sheets of paper that, devoid of writing, communicate the deafening noise of what has remained unexpressed. Defining these works as conceptual hyperrealism means recognizing that meticulous detail — the tactile rendering of crumpled paper — serves to render the intangible tangible.
The subject drifts in the deep darkness of the universe, an absolute emptiness that functions as a sounding board for emotion; it is here that metamorphosis occurs: the heaviness of silence is redeemed by an intrinsic luminosity. The paper seems to glow with its own light, emerging from the darkness like a fragment of purified and precious truth. The observer does not feel the oppression of secrecy, but a sense of poetic suspension: light turns the attempt at communication into a form of absolute and vibrant beauty.
The light emanating from the page thus becomes the promise of a word that, sooner or later, will find a way to be written. It is a visual critique of humanity's inability to tell itself everything, where the drama of the blank page is raised into a revealing glow: a tangible presence that invites the observer to reconcile with their unresolved silences and to glimpse, in that glow, the hope of finally being able to give voice to one's own soul.
citation: S.R.

*All works are created starting from the blank canvas without any digital support*

The works of Rodolfo Guzzoni, a graduate of the Brera Academy of Fine Arts, are in private collections around the world.