Bengt Dimming (1919-2004) - Bouquet

Artist Biography: Bengt Dimming (1919–2004)
​Bengt Dimming was a versatile Swedish artist—painter, sculptor, and illustrator—renowned for his diverse artistic output and technical mastery.
​Education and Exhibitions
​Studies: He studied art at the Slöjdföreningens skola and Valands konstskola in Gothenburg between 1936 and 1945. He later continued his education in Paris at the prestigious Académie Julian and the Sorbonne, starting in 1949.
​Exhibitions: His work has been featured in numerous solo and group exhibitions throughout Sweden, as well as in international art hubs including Paris, Oslo, Chicago, Helsinki, Frankfurt, and Buenos Aires.
​Affiliations: He was an active member of several prominent artistic groups, including Arildsgruppen, Göteborgs Konstnärsklubb, and the KRO (The Swedish Artists' National Organization).
​Artistic Style and Technique
​Dimming worked across various media, including printmaking (linocut, lithography, etching), watercolor, textile drawing, and mixed media. His oeuvre frequently features still lifes, portraits, and biblical scenes, all characterized by a distinctive, expressive line and a sophisticated use of color.
​Legacy and Collections
​The artist’s legacy includes public commissions and decorations across Sweden. His works are held in prestigious permanent collections, including:
​The Collection of His Majesty the King of Sweden.
​Nationalmuseum (National Museum of Fine Arts), Stockholm.
​The Art Museums of Kalmar and Ystad.
​Technical Details & Paper
​The artwork features the embossed dry stamp (blind stamp) of the historic German paper mill Schoellershammer.
​The Symbol: A hammer inside a circle—a hallmark of premium quality for fine art, technical, and printing papers.
​About Schoellershammer: Based in Düren, Germany, this traditional mill was founded in 1784 and is world-renowned for producing high-grade artist supports.
​Dimensions:
​Frame size: 68 × 53 cm
​Passe-partout (mount) size: 64 × 49 cm
​Paper size: 47 × 34 cm
​Quick Tips for your Listing:
​Category: Modern Art / Swedish Modernism.
​Keywords: Bengt Dimming, Swedish Modernist, Nationalmuseum, Schoellershammer paper, Mid-century.
Mid-Century Modern Graphic Art
​The piece is a classic example of the Mid-Century Modern aesthetic (approx. 1950s–1970s). This style prioritizes:
​Simplified forms: The vase and flowers are stripped down to their essential shapes rather than being realistic.
​Strong outlines: The use of heavy ink contours is a hallmark of this era's graphic design and illustration.
Linearism & Stylization
​The artist uses a technique focused on line and rhythm:
​Hatching/Cross-hatching: The background is filled with rhythmic horizontal lines, giving the piece a structured, almost architectural feel.
​Decorative Patterning: The repetitive leaf motifs on the vase lean towards ornamentalism, common in high-end decorative arts of the period.
​3. Illustrative Modernism
​This style sits between fine art and professional illustration. It resembles the "New Look" era of ceramic design and magazine illustration, where the goal was to create a sophisticated, stylish interior piece.
​Style: Post-War Modernism / Mid-Century Graphic Art.
​Genre: Still Life (Floral).
​Technique: Mixed media (Ink and Wash / Watercolor).
​Atmosphere: Earthy tones, structured composition, decorative elegance.
​Short Stylistic Summary (to copy/paste):
​"The artwork is executed in a Modernist Graphic style, characteristic of the mid-20th-century European school. It combines strong linear ink work with a muted, earthy watercolor palette. The composition is highly stylized, utilizing rhythmic hatching in the background to create depth and a sophisticated decorative appeal."