Slasky - Fast Glory
10
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€ 120
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Selected by Catherine Mikolajczak
Studied art history at Ecole du Louvre and specialised in contemporary art for over 25 years.
Gallery Estimate € 3,000 - € 3,600
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Slasky presents a hand-signed original edition giclée titled Fast Glory (2025), an Italian Baroque-inspired work on mythological themes measuring 90 cm by 112 cm and created in 2025.
AI-assisted summary
Description from the seller
Slasky: The Decontextualization of the Myth in the Era of Consumption
The proposed work configures itself as an operation of aesthetic hacking against official historiography. Slasky intervenes on the narrative fabric of Sebastiano Conca — the Baroque apotheosis of Hercules crowned by Fame — to trigger a process of iconic substitution that shakes the foundations of classicism.
The Hero as Brand, Glory as Packaging
At the center of the composition, the titan figure of Hercules is replaced by Batman. However, the Dark Knight is not celebrated here as a savior, but as a product: the coronation does not occur for heroic merits, but through the universal fetish of rapid consumption, the cardboard crown of Burger King.
It is the definitive transition from the use-value of glory to its exchange value on the market.
Visual Dynamics and Urban Stratifications
Baroque Dissonance: The contrast between the soft, theatrical brushstroke of the eighteenth century and the sharp, almost noir silhouette of the superhero creates an unprecedented spatial tension.
Urban Archaeology: The columns, symbols of an immutable order, are appropriated by the "street". The graffiti that disfigure them are not acts of vandalism, but temporal glitches that bear witness to the passage of a contemporaneity that does not ask permission to history.
The Suspended Fame: The winged figure maintains the posture of triumph, but its gesture appears emptied, almost cynical. In a world where notoriety is an algorithm, Conca’s Fame becomes a promoter of the spectacle.
Critical Synthesis
Through the stylistic figure of Classic Neo-Urban, Slasky does not destroy tradition: he inhabits it to denounce its fragility. The artist forces us to look into the abyss of a present that has replaced demigods with pop icons and sacrality with marketing.
Notes on the artist’s research:
Slasky’s approach represents one of the most lucid voices in international digital art. His ability to manipulate the heritage of the Masters is not mere aesthetics, but a necessary reflection on the persistence of the image in the era of visual overload.
Recent Exhibitions
2025
Tokyo Open Art | Art on Loop Exhibition
Venue Address
3 Chome-20-18 Jingumae, Shibuya, Tokyo 150-0001,
Japan
Parallax Art Fair
Kensington Town Hall
Hornton Street
London
W8 7NX
2024
Solo Exhibition
CONTEMPORARY VENICE
Palazzo Pisani-Revedin
S. Marco, 4013A, 30124 Venice, Italy
ARTLAB
Benjamin Eck Gallery
Munich, Germany
2021
MIA Fair
The information Photography Art Fair Italy
Milan, Italy
Lausanne Art Fair
Beaulieu Lausanne
Booth 59
Swiss
Lille ArtUp 2021
Lille, France
StreetArt//UrbanArt
Legnano, Italy
2020
Woodward Gallery
WashYourHands Exhibition
New York City, NY
RedSheep Gallery
Work in Paper
Stockholm, Sweden
2019
Wopart Art Fair 2019 / Centro Esposizioni - Lugano, Swiss
Lang Leve Rembrandt
Rijks Museum Amsterdam
2018
Solo Show
NeoUrbanClassic / M Gallery - Kaluga, Russia
Slasky: The Decontextualization of the Myth in the Era of Consumption
The proposed work configures itself as an operation of aesthetic hacking against official historiography. Slasky intervenes on the narrative fabric of Sebastiano Conca — the Baroque apotheosis of Hercules crowned by Fame — to trigger a process of iconic substitution that shakes the foundations of classicism.
The Hero as Brand, Glory as Packaging
At the center of the composition, the titan figure of Hercules is replaced by Batman. However, the Dark Knight is not celebrated here as a savior, but as a product: the coronation does not occur for heroic merits, but through the universal fetish of rapid consumption, the cardboard crown of Burger King.
It is the definitive transition from the use-value of glory to its exchange value on the market.
Visual Dynamics and Urban Stratifications
Baroque Dissonance: The contrast between the soft, theatrical brushstroke of the eighteenth century and the sharp, almost noir silhouette of the superhero creates an unprecedented spatial tension.
Urban Archaeology: The columns, symbols of an immutable order, are appropriated by the "street". The graffiti that disfigure them are not acts of vandalism, but temporal glitches that bear witness to the passage of a contemporaneity that does not ask permission to history.
The Suspended Fame: The winged figure maintains the posture of triumph, but its gesture appears emptied, almost cynical. In a world where notoriety is an algorithm, Conca’s Fame becomes a promoter of the spectacle.
Critical Synthesis
Through the stylistic figure of Classic Neo-Urban, Slasky does not destroy tradition: he inhabits it to denounce its fragility. The artist forces us to look into the abyss of a present that has replaced demigods with pop icons and sacrality with marketing.
Notes on the artist’s research:
Slasky’s approach represents one of the most lucid voices in international digital art. His ability to manipulate the heritage of the Masters is not mere aesthetics, but a necessary reflection on the persistence of the image in the era of visual overload.
Recent Exhibitions
2025
Tokyo Open Art | Art on Loop Exhibition
Venue Address
3 Chome-20-18 Jingumae, Shibuya, Tokyo 150-0001,
Japan
Parallax Art Fair
Kensington Town Hall
Hornton Street
London
W8 7NX
2024
Solo Exhibition
CONTEMPORARY VENICE
Palazzo Pisani-Revedin
S. Marco, 4013A, 30124 Venice, Italy
ARTLAB
Benjamin Eck Gallery
Munich, Germany
2021
MIA Fair
The information Photography Art Fair Italy
Milan, Italy
Lausanne Art Fair
Beaulieu Lausanne
Booth 59
Swiss
Lille ArtUp 2021
Lille, France
StreetArt//UrbanArt
Legnano, Italy
2020
Woodward Gallery
WashYourHands Exhibition
New York City, NY
RedSheep Gallery
Work in Paper
Stockholm, Sweden
2019
Wopart Art Fair 2019 / Centro Esposizioni - Lugano, Swiss
Lang Leve Rembrandt
Rijks Museum Amsterdam
2018
Solo Show
NeoUrbanClassic / M Gallery - Kaluga, Russia
Details
Artist
Slasky
Sold by
Agent
Edition
Original
Title of artwork
Fast Glory
Technique
Giclée
Signature
Hand signed
Country of origin
Italy
Year
2025
Condition
Excellent condition
Height
90 cm
Width
112 cm
Depiction/theme
Mythology
Style
Baroque
Period
2020+
Sold with frame
No
