Miguel de Miguel - Recordando a Buffet






Holds a master's degree in film and visual arts; experienced curator, writer, and researcher.
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Miguel de Miguel, Recordando a Buffet, original acrylic painting, 80 x 60 cm, contemporary Italian artist, hand-signed, original edition, produced after 2020, sold directly by the artist, with certificate of authenticity.
Description from the seller
Miguel is a Spanish visual artist who began his career in 1980 and has developed a solid and emotionally intense trajectory, recognized worldwide. He has exhibited in cities such as New York, Hong Kong, Paris, Buenos Aires, and Mexico City, and his work is part of some of the most important collections internationally. He currently resides and creates in Italy.
Her painting combines figure and abstraction with a unique language, where vibrant color, symbolic forms, and deep textures speak of identity, memory, and inner silence. Faceless figures, symbolic natures, and scenes suspended in time form a poetic and sensitive universe.
With more than four decades of creation, Miguel de Miguel offers a body of work that is not only observed: it is experienced from the most intimate depths. An art that transcends borders, styles, and words.
of the inner clown: not the external jester, but the mediator between the wound and consciousness. The elongated face, almost ascetic, bears a contained sadness; the eyes, blue-veiled, look inward. The black hat functions as a dome of silence: it protects the mind, but it also encloses it.
The acid green —in hair and bow— introduces a vital energy that never quite blooms; it is hope under tension, sap that insists. The punctuated red (nose, eyebrows, mouth) marks the centers of exposure and vulnerability: that which is offered to the world.
The gray, compartmentalized background acts as a threshold-scene: neither outside nor inside. Everything is frozen in a moment of waiting. The pictorial matter, thick and visible, reinforces the idea of a mask: what is seen is also what weighs.
Critical reading. The work dialogues with the tradition of the melancholic clown and the fully faceless figure — a recurring theme in your work — but here the gesture is more ritual than narrative. There is no irony; there is restraint. The limited chromaticism and the precise accents sustain an effective symbolic tension without falling into the
It ships with a certificate of authenticity.
Miguel is a Spanish visual artist who began his career in 1980 and has developed a solid and emotionally intense trajectory, recognized worldwide. He has exhibited in cities such as New York, Hong Kong, Paris, Buenos Aires, and Mexico City, and his work is part of some of the most important collections internationally. He currently resides and creates in Italy.
Her painting combines figure and abstraction with a unique language, where vibrant color, symbolic forms, and deep textures speak of identity, memory, and inner silence. Faceless figures, symbolic natures, and scenes suspended in time form a poetic and sensitive universe.
With more than four decades of creation, Miguel de Miguel offers a body of work that is not only observed: it is experienced from the most intimate depths. An art that transcends borders, styles, and words.
of the inner clown: not the external jester, but the mediator between the wound and consciousness. The elongated face, almost ascetic, bears a contained sadness; the eyes, blue-veiled, look inward. The black hat functions as a dome of silence: it protects the mind, but it also encloses it.
The acid green —in hair and bow— introduces a vital energy that never quite blooms; it is hope under tension, sap that insists. The punctuated red (nose, eyebrows, mouth) marks the centers of exposure and vulnerability: that which is offered to the world.
The gray, compartmentalized background acts as a threshold-scene: neither outside nor inside. Everything is frozen in a moment of waiting. The pictorial matter, thick and visible, reinforces the idea of a mask: what is seen is also what weighs.
Critical reading. The work dialogues with the tradition of the melancholic clown and the fully faceless figure — a recurring theme in your work — but here the gesture is more ritual than narrative. There is no irony; there is restraint. The limited chromaticism and the precise accents sustain an effective symbolic tension without falling into the
It ships with a certificate of authenticity.
