Canvas Fit - Alberto Ricardo - El Silencio de Eva"

Artwork created on professional canvas using the giclée printing technique on canvas. Digital art using contemporary media and AI.

Artwork by the artist Canvas Fit-Alberto Ricardo created using Giclée print technique on high-quality professional canvas, 100% cotton, highly resistant to handling and external agents, from the Eco Canvas Roma Glossy brand, satin finish.
We guarantee a durable product with visual quality.
Painting with dimensions of 60 x 80 cm and a depth of 5 cm.
Limited edition 1 of 5.
On the back of the piece, you will find the details about the work.
The shipment will be made through United Parcel Service (UPS) for Spain and Europe, and through Fedex for the rest of the world.
The work will be rolled and protected with several layers of packaging, bubble nylon, and placed in a sturdy tube.
Once the work has been paid for, three days are required for the packaging process and delivery to the shipping company.
The piece will arrive within ten days, depending on the destination country.


She was there, suspended in a moment that seemed eternal. The scene captured in this powerful giclée image needs no words to narrate a story: it speaks through the gaze, through the skin, through the reptile that coils solemnly over the face of a woman who seems to belong to another era, or to all of them at the same time.

Her face, of almost virginal purity, stands out for its pale skin and blonde hair, softly lit by a side light that cuts out her figure against an absolute black background. She wears a white mantle that falls like a second skin, as if it were part of an ancient ritual or a broken promise. But what moves most is her right eye, from which a solitary tear wells. There is no hysteria in that cry, only a silent sadness that seems to have been hidden for centuries.

The snake — with realistic scales, drawn with meticulous hyperrealistic precision — curls gently from its neck to its cheek. There is no violence in its presence, but an intimate complicity. The snake does not bite; it listens. She does not flee either; she welcomes. It is as if the animal, a traditional symbol of sin and temptation, had become solace or an accepted punishment, part of the face, part of the story.

This portrait, which inevitably evokes the biblical figure of Eve, is a modern and deeply emotional reinterpretation of the origin myth. We are not looking at a woman who has fallen, but at a woman who has understood. Her tear is not for fear, but for lucidity. She knows she has been marked, that her innocence was lost with the choice, but also that she has found a new form of truth: more raw, more human, less divine.

The use of light in this composition is a masterpiece. It illuminates only what is necessary: the tear, the texture of the snake, the curve of the lip, the damp blue of the eye. The rest remains in shadows, as if the unspoken carried the same weight as the obvious. Darkness, far from being a mere background, becomes a symbol of what cannot be explained: guilt, desire, knowledge gained at a price.

"The Silence of Eve" does not shout, does not judge. It is simply there, observing with an expression that pierces the viewer's surface. It is an invitation to stop, to look beyond the angelic face, beyond the solitary tear. It is a visual echo of that first unanswered question: what does it really mean to choose?

And as the spectator contemplates, the woman keeps crying in silence. The snake, motionless, accompanies her. The painting, suspended in its perfect stillness, becomes a dark mirror where each person sees their own downfall reflected.