Andrea Topa - CRUELLA






Holds a master's degree in film and visual arts; experienced curator, writer, and researcher.
| €145 | ||
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| €135 | ||
| €90 | ||
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Andrea Topa, Cruella, an original oil painting on canvas (60 × 60 cm), 2022, signed on the front and back, in excellent condition, pop art theme, framed with a slim white frame, weight 4 kg, Italy, accompanied by a certificate of authenticity.
Description from the seller
Andrea Topa - Cruella
oil on canvas - Signed front and back - 2022
D.D. Angry by Andrea Topa.
A Tribute to Cruella
60x60 cm
The piece includes a thin white frame that is easily replaceable.
The artist's signature is visible on the front and back of the piece.
The work is accompanied by the certificate of authenticity, issued by the artist at the time of sale.
At the time of purchase, the artwork will be adequately protected during transport or handling, using proper packaging. The first step will be to wrap the artwork in packing paper or tissue to avoid direct contact with the protective material, which could damage the surface. Next, apply bubble wrap, with the bubbles facing outward to prevent leaving marks, and finally place the artwork in a sturdy cardboard box or a plywood crate, filling empty spaces with packing material to prevent movement.
Andrea Enedra Topa - 1985, Scilla (RC), Italy, earned an artistic maturity diploma from the M. Preti Art High School in Reggio Calabria. The artist, Andrea Topa, centers most of his artistic research on the most significant urban cultures, such as contemporary neocolonialism, which has influenced various artists, critics, gallerists, and art buyers around the world with ideas and iconographic or moral content that are completely different from those of Europe. Men can be conditioned by many educational models through images and sounds or other means that are not part of the culture of their own civil community, but deriving from other civilizations. The artist’s denunciatory work, Andrea
Topa, it must be inserted into the historical currents that took shape in the height of the Cold War, those of the Dadaists, the Duchampists, Yunk Art, and finally Pop.
Art. For many of my works, displays of smartphones, iPhones and other materials are arranged side by side on a large panel. The works convey to the viewer rather strong messages related to the various social and economic problems of humanity, in which brief episodes—ideal and absurd—are also told, or events of history in a fantastical, black-and-white comic-book key.
Andrea Topa - Cruella
oil on canvas - Signed front and back - 2022
D.D. Angry by Andrea Topa.
A Tribute to Cruella
60x60 cm
The piece includes a thin white frame that is easily replaceable.
The artist's signature is visible on the front and back of the piece.
The work is accompanied by the certificate of authenticity, issued by the artist at the time of sale.
At the time of purchase, the artwork will be adequately protected during transport or handling, using proper packaging. The first step will be to wrap the artwork in packing paper or tissue to avoid direct contact with the protective material, which could damage the surface. Next, apply bubble wrap, with the bubbles facing outward to prevent leaving marks, and finally place the artwork in a sturdy cardboard box or a plywood crate, filling empty spaces with packing material to prevent movement.
Andrea Enedra Topa - 1985, Scilla (RC), Italy, earned an artistic maturity diploma from the M. Preti Art High School in Reggio Calabria. The artist, Andrea Topa, centers most of his artistic research on the most significant urban cultures, such as contemporary neocolonialism, which has influenced various artists, critics, gallerists, and art buyers around the world with ideas and iconographic or moral content that are completely different from those of Europe. Men can be conditioned by many educational models through images and sounds or other means that are not part of the culture of their own civil community, but deriving from other civilizations. The artist’s denunciatory work, Andrea
Topa, it must be inserted into the historical currents that took shape in the height of the Cold War, those of the Dadaists, the Duchampists, Yunk Art, and finally Pop.
Art. For many of my works, displays of smartphones, iPhones and other materials are arranged side by side on a large panel. The works convey to the viewer rather strong messages related to the various social and economic problems of humanity, in which brief episodes—ideal and absurd—are also told, or events of history in a fantastical, black-and-white comic-book key.
