Scuola di Jusepe de Ribera (XVII) - San Tommaso

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Current bid
€ 100
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Caterina Maffeis
Expert
Selected by Caterina Maffeis

Master in early Renaissance Italian painting with internship at Sotheby’s and 15 years' experience.

Estimate  € 8,000 - € 12,000
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ITBidder 9542
€100
PLBidder 2167
€5
PLBidder 2167
€4

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San Tommaso, an oil painting on canvas from 17th‑century Italy, in the Caravaggisti style, depicting a religious subject, unsigned and attributed to a Ribera workshop, with a frame, measuring 138 by 110 cm.

AI-assisted summary

Description from the seller

School of Jusepe de Ribera
Oil on canvas 128 x 100 cm
frame 138 x 110 cm

The monumental figure of Saint Thomas asserts itself in the space with solemn naturalness, resting on a step bearing the saint's name. The intense yellow
The robe, juxtaposed with the gray cloak with soft folds, creates an effective chromatic balance and contributes to the volumetric rendering of the figure. The face, framed by beard and brown hair, is characterized by a robust and individualized physiognomy, far from idealizations. The hands, treated with careful observation from life, reinforce the naturalistic stance: the left hand hanging along the hip, the right holding the instrument of martyrdom. The absence of a halo emphasizes the intention to present the saint as a concrete, earthly man, in keeping with the principles of Caravaggesque naturalism.
The use of lead white (biacca), the loose brushwork, and the strong physiognomic characterization connect the work to the circle of José de Ribera, one of the major interpreters of the Caravaggesque. The painting thus testifies to an intense and dramatic reading of sacrality, founded on expressive truth and on the centrality of the human figure.

School of Jusepe de Ribera
Oil on canvas 128 x 100 cm
frame 138 x 110 cm

The monumental figure of Saint Thomas asserts itself in the space with solemn naturalness, resting on a step bearing the saint's name. The intense yellow
The robe, juxtaposed with the gray cloak with soft folds, creates an effective chromatic balance and contributes to the volumetric rendering of the figure. The face, framed by beard and brown hair, is characterized by a robust and individualized physiognomy, far from idealizations. The hands, treated with careful observation from life, reinforce the naturalistic stance: the left hand hanging along the hip, the right holding the instrument of martyrdom. The absence of a halo emphasizes the intention to present the saint as a concrete, earthly man, in keeping with the principles of Caravaggesque naturalism.
The use of lead white (biacca), the loose brushwork, and the strong physiognomic characterization connect the work to the circle of José de Ribera, one of the major interpreters of the Caravaggesque. The painting thus testifies to an intense and dramatic reading of sacrality, founded on expressive truth and on the centrality of the human figure.

Details

Artist
Scuola di Jusepe de Ribera (XVII)
Sold with frame
Yes
Title of artwork
San Tommaso
Technique
Oil painting
Signature
Not signed
Country of origin
Italy
Condition
Excellent condition
Height
138 cm
Width
110 cm
Depiction/theme
Religion
Style
Caravaggisti
Period
17th century
ItalyVerified
41
Objects sold
pro

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