Adeline DUPUY - Water lilies 1






Holds a master's degree in film and visual arts; experienced curator, writer, and researcher.
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Adeline Dupuy, Water lilies 1, a 2026 original acrylic painting on canvas in a contemporary style, 73 × 60 cm, signed by hand on the back, edges unpainted, with a certificate of authenticity, shipped directly from the artist, France, excellent condition.
Description from the seller
Acrylic on canvas
Ready to hang
The edges of the canvas are unpainted
The canvas is signed and dated by hand on the back
Certificate of authenticity
Shipped well protected
Adeline began painting classes in 2011 in Australia, inspired by the colors and layering she found in street art that is very present on the streets of Melbourne.
Back in France, a geologist by training, color remains a through-line in her life as it often reveals the history of the landscape.
In 2022 she began training at the École des Beaux-Arts de Bordeaux, and the work on color and large formats gives a new dimension to her painting.
Her approach is to work with acrylic by building up glazes, a very diluted layer of color to reveal transparency, depth, lightness, evanescence and the vulnerability attributed to the subject.
What interests her is semi-figurative work where the subject remains identifiable but the rest is suggested, leaving room for the viewer’s projection and imagination. It is precisely when the painting escapes us that the invisible shines.
Acrylic on canvas
Ready to hang
The edges of the canvas are unpainted
The canvas is signed and dated by hand on the back
Certificate of authenticity
Shipped well protected
Adeline began painting classes in 2011 in Australia, inspired by the colors and layering she found in street art that is very present on the streets of Melbourne.
Back in France, a geologist by training, color remains a through-line in her life as it often reveals the history of the landscape.
In 2022 she began training at the École des Beaux-Arts de Bordeaux, and the work on color and large formats gives a new dimension to her painting.
Her approach is to work with acrylic by building up glazes, a very diluted layer of color to reveal transparency, depth, lightness, evanescence and the vulnerability attributed to the subject.
What interests her is semi-figurative work where the subject remains identifiable but the rest is suggested, leaving room for the viewer’s projection and imagination. It is precisely when the painting escapes us that the invisible shines.
