Miguel de Miguel - Testa di Donna XL

Miguel de Miguel is a Spanish artist with a distinguished career in the field of visual arts. His work is characterized by a constant pursuit of conceptual and technical exploration, emphasizing authenticity.

Oh, the one who has led him to experiment with different means and
He has explored various styles throughout his career. Although he is mainly known for his painting, he has also worked with other forms of artistic expression, including sculpture and digital art.
M. A
Miguel de Miguel's style is often a meeting point between abstraction and figuration, where geometry and color combine in innovative ways to convey emotions and reflections on society, human nature, and the environment.
Contemporary. His/her work has a strong symbolic meaning, often inviting the viewer to a personal and profound interpretation.

Throughout his career, Miguel de Miguel has participated in numerous exhibitions at both the national and international levels, earning recognition from critics and the public. His commitment to constant experimentation and the search for new forms of expression position him as a reference within the contemporary art scene in Spain. He is an artist who reflects a great interest in the transformation of the environment and the constant evolution of the human being, using his art as a way to question and redefine the reality that surrounds us.
Here the figure is presented with its back to the world, but not retreating: it is in a state of reception. The violet body lengthens and tightens as if it had learned to listen with its very axis. There is no face because there is no outward gaze; consciousness is oriented inward.
The ochre background opens a threshold of light: it does not illuminate from outside, but rather seems to rise as a warm memory, almost domestic, in front of which the figure stands. The dark sides frame the scene like a mental boundary, a before and after, reinforcing the sense of transit.
The chromatic explosion in the head — blues, greens, reds — is not ornament: it is living thought, emotion in expansion. It is a mind that does not arrange itself, but blossoms. The pictorial gesture is free, almost biological, as if identity were not a closed form but a field in constant reorganization.
The scattered reds on the blue mantle introduce the wound and the pulse: tiny eruptions of the life-force that remind us that even in stillness there is friction, history, experience.
This Testa di Donna does not claim, does not declare: it endures. And in that endurance it builds its strength.
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