EMIR BERCUTTE - ALL I NEED IS LOVE - Toile L






Over 10 years' experience in art trade and previously founded his own gallery.
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Emir Bercutte presents ALL I NEED IS LOVE - Toile L, a 2024 limited edition mixed-media on canvas (80 by 80 cm) signed by hand, combining contemporary street art imagery with AI, produced in France and available through Galerie.
Description from the seller
Magnificent street art work in the influence of the greatest street art artist Bansky.
On each photo of the collection, a message is on the wall like graffiti.
This work is the fruit of a silent artistic conversation between my imagination and a well-trained artificial intelligence algorithm called Midjourney.
Canvas print mounted on a wooden frame, ready to hang.
The certificate of authenticity as well as the label signed by the artist to be affixed behind the painting are sent separately by mail for security reasons.
The work is shipped directly by our German partner laboratory for printing quality reasons.
Who is the artist
EMIR BERCUTTE Born in 1968 in Paris, Emir Bercutte develops an early sensitivity to urban landscapes and the forms of expression that cross them. After a long career outside the institutional artistic field, he fully commits to creation from 2010.
Passionate about street art, which he considers the most direct and living of contemporary visual writings, he begins by roaming the cities of the world to document their walls. His photographic work focuses on ephemeral works, the traces left by artists, and the silent dialogues between the street, the architecture, and images. He photographs both large capitals and more peripheral territories, building over the years a vast visual archive of world street art.
In 2023, Emir Bercutte begins a new turn by integrating artificial intelligence into his practice. He does not approach it as a disruptive tool, but as an extension of his photographer’s gaze and love for street art. From his own images and references from urban culture, he creates hybrid works where the memory of walls, tags, and frescoes dialogues with forms generated by AI. His compositions question the notion of authorship, reproduction, and the survival of images in a digital world.
Today, Emir Bercutte’s work sits at the border between photography and algorithmic creation, offering a new way of thinking about street art in the age of artificial intelligence.
Magnificent street art work in the influence of the greatest street art artist Bansky.
On each photo of the collection, a message is on the wall like graffiti.
This work is the fruit of a silent artistic conversation between my imagination and a well-trained artificial intelligence algorithm called Midjourney.
Canvas print mounted on a wooden frame, ready to hang.
The certificate of authenticity as well as the label signed by the artist to be affixed behind the painting are sent separately by mail for security reasons.
The work is shipped directly by our German partner laboratory for printing quality reasons.
Who is the artist
EMIR BERCUTTE Born in 1968 in Paris, Emir Bercutte develops an early sensitivity to urban landscapes and the forms of expression that cross them. After a long career outside the institutional artistic field, he fully commits to creation from 2010.
Passionate about street art, which he considers the most direct and living of contemporary visual writings, he begins by roaming the cities of the world to document their walls. His photographic work focuses on ephemeral works, the traces left by artists, and the silent dialogues between the street, the architecture, and images. He photographs both large capitals and more peripheral territories, building over the years a vast visual archive of world street art.
In 2023, Emir Bercutte begins a new turn by integrating artificial intelligence into his practice. He does not approach it as a disruptive tool, but as an extension of his photographer’s gaze and love for street art. From his own images and references from urban culture, he creates hybrid works where the memory of walls, tags, and frescoes dialogues with forms generated by AI. His compositions question the notion of authorship, reproduction, and the survival of images in a digital world.
Today, Emir Bercutte’s work sits at the border between photography and algorithmic creation, offering a new way of thinking about street art in the age of artificial intelligence.
