EMIR BERCUTTE - LOVE 4 - Toile L






Over 10 years' experience in art trade and previously founded his own gallery.
| €1 |
|---|
Catawiki Buyer Protection
Your payment’s safe with us until you receive your object.View details
Trustpilot 4.4 | 127726 reviews
Rated Excellent on Trustpilot.
Emir Bercutte, Love 4 - Toile L, a 80 by 80 cm mixed media artwork incorporating AI, is a limited edition 1/10, hand-signed, produced in 2024 in France and mounted on a wooden stretched canvas.
Description from the seller
Magnificent street art work in the style of the greatest street artist, Bansky. On every photo in the collection, a message is painted on the wall like graffiti. This piece is the fruit of a silent artistic conversation between my imagination and a well-trained artificial intelligence algorithm named Midjourney.
Canvas print mounted on a wooden frame, ready to hang.
The certificate of authenticity as well as the label signed by the artist to be affixed behind the painting are sent separately by mail for security reasons. The work is shipped directly by our German partner laboratory for printing quality purposes.
Who is the artist
EMIR BERCUTTE born in 1968 in Paris, Emir Bercutte develops from an early age a sensitivity to urban landscapes and the forms of expression that cross them. After a long career outside the institutional art field, he fully commits to creation from 2010.
Passionate about street art, which he considers the most direct and vibrant form of contemporary visual writing, he begins by roaming the cities of the world to document their walls. His photographic work focuses on temporary works, the traces left by artists, and the silent dialogues between the street, architecture, and images. He photographs both major capitals and more peripheral territories, building over the years a vast visual archive of world street art.
In 2023, Emir Bercutte begins a new turning point by integrating artificial intelligence into his practice. He does not approach it as a rupture tool, but as an extension of his view as a photographer and as a lover of street art. From his own images and references drawn from urban culture, he creates hybrid works where the memory of walls, tags, and frescoes dialogues with forms generated by AI. His compositions question the notion of authorship, reproduction, and the survival of images in a digital world.
Today, Emir Bercutte’s work sits at the border between photography and algorithmic creation, proposing a new way of thinking about street art in the AI era.
Magnificent street art work in the style of the greatest street artist, Bansky. On every photo in the collection, a message is painted on the wall like graffiti. This piece is the fruit of a silent artistic conversation between my imagination and a well-trained artificial intelligence algorithm named Midjourney.
Canvas print mounted on a wooden frame, ready to hang.
The certificate of authenticity as well as the label signed by the artist to be affixed behind the painting are sent separately by mail for security reasons. The work is shipped directly by our German partner laboratory for printing quality purposes.
Who is the artist
EMIR BERCUTTE born in 1968 in Paris, Emir Bercutte develops from an early age a sensitivity to urban landscapes and the forms of expression that cross them. After a long career outside the institutional art field, he fully commits to creation from 2010.
Passionate about street art, which he considers the most direct and vibrant form of contemporary visual writing, he begins by roaming the cities of the world to document their walls. His photographic work focuses on temporary works, the traces left by artists, and the silent dialogues between the street, architecture, and images. He photographs both major capitals and more peripheral territories, building over the years a vast visual archive of world street art.
In 2023, Emir Bercutte begins a new turning point by integrating artificial intelligence into his practice. He does not approach it as a rupture tool, but as an extension of his view as a photographer and as a lover of street art. From his own images and references drawn from urban culture, he creates hybrid works where the memory of walls, tags, and frescoes dialogues with forms generated by AI. His compositions question the notion of authorship, reproduction, and the survival of images in a digital world.
Today, Emir Bercutte’s work sits at the border between photography and algorithmic creation, proposing a new way of thinking about street art in the AI era.
