EMIR BERCUTTE - PLEASE CALL ME - Toile L





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Emir Bercutte’s 2024 limited edition mixed-media on canvas with AI, titled "PLEASE CALL ME - Toile L", is hand-signed, 80×80 cm, France, sold by Galerie, from the 2020s and in excellent condition, edition 1/10.
Description from the seller
Magnificent street art work in the style influenced by the greatest street artist Banksy
On each photo of the collection, a message is painted on the wall like graffiti
This work is the fruit of a silent artistic conversation between my imagination and a well-trained artificial intelligence algorithm called Midjourney.
Canvas print mounted on a wooden frame, ready to hang.
The certificate of authenticity as well as the label signed by the artist to be affixed to the back of the painting are sent separately by mail for security reasons.
The work is shipped directly by our German partner laboratory for printing quality reasons.
Who is the artist
EMIR BERCUTTE Born in 1968 in Paris, Emir Bercutte develops very early a sensitivity to urban landscapes and the forms of expression that cross them. After a long journey outside the institutional artistic field, he fully commits to creation from 2010.
Passionate about street art, which he considers the most direct and vibrant of contemporary visual writings, he begins by roaming the world’s cities to document their walls. His photographic work focuses on ephemeral works, the traces left by artists, and the silent dialogues between the street, architecture, and images. He photographs both major capitals and more peripheral territories, building over the years a vast visual archive of global street art.
In 2023, Emir Bercutte begins a new turning point by integrating artificial intelligence into his practice. He approaches it not as a tool of rupture, but as an extension of his view as a photographer and lover of street art. From his own images and references drawn from urban culture, he creates hybrid works where the memory of walls, tags, and frescoes dialogues with forms generated by AI. His compositions question the notion of authorship, reproduction, and the survival of images in a digital world.
Today, Emir Bercutte's work sits at the border between photography and algorithmic creation, offering a new way of thinking about street art in the age of artificial intelligence.
Magnificent street art work in the style influenced by the greatest street artist Banksy
On each photo of the collection, a message is painted on the wall like graffiti
This work is the fruit of a silent artistic conversation between my imagination and a well-trained artificial intelligence algorithm called Midjourney.
Canvas print mounted on a wooden frame, ready to hang.
The certificate of authenticity as well as the label signed by the artist to be affixed to the back of the painting are sent separately by mail for security reasons.
The work is shipped directly by our German partner laboratory for printing quality reasons.
Who is the artist
EMIR BERCUTTE Born in 1968 in Paris, Emir Bercutte develops very early a sensitivity to urban landscapes and the forms of expression that cross them. After a long journey outside the institutional artistic field, he fully commits to creation from 2010.
Passionate about street art, which he considers the most direct and vibrant of contemporary visual writings, he begins by roaming the world’s cities to document their walls. His photographic work focuses on ephemeral works, the traces left by artists, and the silent dialogues between the street, architecture, and images. He photographs both major capitals and more peripheral territories, building over the years a vast visual archive of global street art.
In 2023, Emir Bercutte begins a new turning point by integrating artificial intelligence into his practice. He approaches it not as a tool of rupture, but as an extension of his view as a photographer and lover of street art. From his own images and references drawn from urban culture, he creates hybrid works where the memory of walls, tags, and frescoes dialogues with forms generated by AI. His compositions question the notion of authorship, reproduction, and the survival of images in a digital world.
Today, Emir Bercutte's work sits at the border between photography and algorithmic creation, offering a new way of thinking about street art in the age of artificial intelligence.

