Giuseppe Bonsignore (XX - Girasoli

Description of the work

In this still life with sunflowers, Giuseppe Bonsignore constructs a vibrant and tactile image, where color becomes gesture and gesture becomes emotion. The flowers are neither idealized nor immobile: they bend, overlap, and show the weight of their own vitality, suggesting a passing time and a beauty that does not require perfection.

The brushstroke is thick, visible, sometimes rough, and imparts an intense physicality to the painted surface. The warm, earthy yellows dialogue with dirty greens and violet hints, creating a chromatic balance that avoids any decorative complacency. The vase, solid and central, anchors the composition, while the sunflowers spread across the space with an irregular and natural rhythm.

The work communicates a subtle tension between energy and decay, between light and matter, evoking an emotional and instinctive painting capable of speaking more to the feeling than to mere representation.

Artist's profile – Giuseppe Bonsignore

Giuseppe Bonsignore is an artist who primarily works through material and color, favoring a direct, instinctive, and profoundly human approach to painting. His research focuses on the expressive value of gesture and the ability of color to convey emotional states, rather than on a faithful depiction of the subject.

In his works, Bonsignore addresses classic themes — such as still life or the flower — freeing them from any illustrative intent. Painting becomes a field of experience, where the surface retains traces of the creative process, of time, and the artist's energy. The influences of the great expressionist and post-impressionist tradition are present as language and sensitivity, but are reinterpreted in a personal and contemporary key.

His work is characterized by a strong focus on the pictorial matter, the use of warm and earthy palettes, and a constant tension between compositional structure and gestural freedom. Each piece presents itself as an emotional fragment, a silent dialogue between the artist, the subject, and the viewer.