Henri de Régnier / Pierre Paschal - Le Trèfle Noir - 1926





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Le Trèfle Noir by Henri de Régnier with illustrations by Pierre Paschal, published in Paris by René Kieffer in 1926 as a numbered, limited edition in soft cover, 122 pages, 24 × 19 cm, in good condition.
Description from the seller
RÉGNIER (Henri de) / PASCHAL (Pierre, ill.)
The Black Clover. Hertulie, or The Messages. History of Hermagore. Hermocrate.
Paris: René Kieffer Publisher, 1926
Octavo (240 x 190 mm), 12
2 pages, sewn, illustrated fold-out cover.
Copy 509 of 520.
The work is illustrated by Pierre Paschal with 48 line drawings that have been colored by stencil. Clément Janin praises, in Les nouvelles littéraires, artistiques et scientifiques of 19 May 1928 (no. 292), the beauty of the illustrated cover.
This collection of three stories, strikingly populated by characters whose names begin with the syllable “Her,” was first published in Mercure de France in 1895. “Through the lens of the symbolist imagination, Régnier treats the theme of the aristocracy, which for him would become a personal myth and which recurs throughout his entire narrative work.” (Patrick Besnier. Henri de Régnier: From Mallarmé to Art Deco. 2015)
RÉGNIER (Henri de) / PASCHAL (Pierre, ill.)
The Black Clover. Hertulie, or The Messages. History of Hermagore. Hermocrate.
Paris: René Kieffer Publisher, 1926
Octavo (240 x 190 mm), 12
2 pages, sewn, illustrated fold-out cover.
Copy 509 of 520.
The work is illustrated by Pierre Paschal with 48 line drawings that have been colored by stencil. Clément Janin praises, in Les nouvelles littéraires, artistiques et scientifiques of 19 May 1928 (no. 292), the beauty of the illustrated cover.
This collection of three stories, strikingly populated by characters whose names begin with the syllable “Her,” was first published in Mercure de France in 1895. “Through the lens of the symbolist imagination, Régnier treats the theme of the aristocracy, which for him would become a personal myth and which recurs throughout his entire narrative work.” (Patrick Besnier. Henri de Régnier: From Mallarmé to Art Deco. 2015)

