Yuni R. P (XX) - Estallido floral

Painting by artist Yuniesky R. P, done in the technique of oil on canvas, entirely worked with a spatula. Dimensions of the work: 53 x 73 cm, corresponding to the painting, with a white perimetral margin for better mounting or framing.

The works, once sold, are shipped within a maximum of three days to anywhere in the world. Each piece is carefully packaged, protected with paper and bubble wrap, and sent in a rigid high-strength cardboard tube, guaranteeing their perfect conservation during transport.

Yuniesky R. P is a young artist with solid professional training who currently lives and works in Havana, Cuba. His work is distinguished by a very personal pictorial language, developed almost exclusively through the use of the spatula, a tool with which he builds compositions of great visual strength and marked expressiveness.

His painting is characterized by rich impasto, loose brushstrokes, and an intensely colorful palette, where light and movement constantly dialogue. In his impressionist treatment, there is a clear influence of Joaquín Sorolla, especially in the way he approaches luminosity, dynamism, and the vibrancy of color, always from a contemporary and deeply personal perspective.

The themes he addresses arise from an emotional connection with nature and landscape: marine scenes, sloops, fauna, flowers, and evocative cities form a pictorial universe filled with nostalgia and admiration for classical art. His works do not seek literal description, but the evocation of sensations, awakening in the viewer intense feelings and latent memories.

The paintings by Yuni possess a frontal and enveloping presence; they are works that must be contemplated in person, as photography cannot fully capture the richness of the impasto, the depth of color, or the energy of the painterly gesture. The spatula allows him to build vibrant surfaces, with layers of paint that convey solidity, movement, and an almost tactile expressiveness. His work is, in essence, a celebration of color, matter, and emotion: a painting that invites stopping, looking, and feeling.

This work is an exponent of contemporary impressionism with expressionist hints, where the traditional still life is revitalized by an overflowing chromatic energy. The artist uses a loose impasto technique, applying short and confident brushstrokes that give the flowers almost tactile three-dimensionality on the canvas. The composition plays with side lighting coming from a suggested window, which allows masterful handling of the transparencies in the crystal vase and the bluish reflections on the tablecloth. Through this piece, the painter seeks to convey a sense of vitality, optimism, and the beauty of everyday life, turning a simple corner of the home into a stage of vibrant light where nature seems to continue growing beyond the container.