Alejandro Valdes - Intersección Azul-XL






Holds a master's degree in film and visual arts; experienced curator, writer, and researcher.
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An original acrylic painting on canvas by Alejandro Valdés Hernández, titled Intersección Azul-XL, 2026, measuring 96 x 70 cm, hand-signed, in blue and white, from Spain.
Description from the seller
Geometric abstraction work that explores the balance between space, form, and depth. Through planes defined in shades of blue, navy, turquoise, and neutral tones, the composition creates an architectural sensibility that evokes impossible structures or fragmented perspectives.
Diagonal lines and blocks of color generate visual tension and dynamism, guiding the eye toward a central convergence point that suggests expansion and movement. The interaction between dark and light areas provides volume and a subtle 3D illusion, granting the piece a sophisticated, contemporary presence.
Name: Alejandro Valdés Hernández
Nationality: Cuban
Year of birth: 1974
Place of birth: Havana, Cuba
Specialty: Contemporary painting, mixed media and printmaking
Education
1989–1993 — Elementary Level of Plastic Arts, Havana
1993–1997 — National Academy of Fine Arts San Alejandro, Havana
Influences: Caribbean expressionism, lyric abstraction, urban memory
Working lines
Alejandro Valdés Hernández’s work centers on urban memory, migration, and the relationship between architecture and emotion. His style combines tactile layers, gestural drawing, and warm palettes
Techniques:
Oil and acrylics on canvas
Mixed media with sand and natural pigments
Experimental printmaking
Ephemeral murals
Solo exhibitions
2001 — Submerged Cities, Independent Gallery, Havana
2006 — Cartographies of Memory, Alternative Cultural Center, Mexico City
2010 — Interior Tropic, self-managed space, Bogotá
2015 — Architectures of Memory, Contemporary Art Gallery, Miami
2021 — Fragmented Island, private gallery, Madrid
Group exhibitions
1998 — Show of Cuban young painters, Havana
2003 — Caribbean Alternative Biennial, Santo Domingo
2008 — Encounter of Emerging Latin American Art, Buenos Aires
2014 — Art and Territory, Lima
2019 — Contemporary Caribbean Painting, San Juan
2023 — Latin American artists in diaspora, Barcelona
Works in collections
Private collections in Cuba, Mexico, Colombia, and Spain
Murals and works in independent cultural spaces in Havana
Works in Latin American artist residences
Works in private collections in Miami, Panama, and Buenos Aires
Artist residencies
2004 — Contemporary Art Residency, Oaxaca
2012 — Experimental Printmaking Studio, Medellín
2018 — Artistic Exchange Program, Montevideo
Publications and mentions
Catalogs of independent exhibitions in Latin America
Critical essays in culturally oriented, limited-audience magazines
Participation in alternative curatorial projects
“I paint cities that do not exist, or that only exist in memory. My work is an emotional cartography of those who leave without stopping to inhabit it.”
Work in acrylic on unstretched canvas, packed in bubble wrap and placed inside a rigid cardboard tube, in addition to being secured by the shipping company (CORREOS ESPAÑA).
Geometric abstraction work that explores the balance between space, form, and depth. Through planes defined in shades of blue, navy, turquoise, and neutral tones, the composition creates an architectural sensibility that evokes impossible structures or fragmented perspectives.
Diagonal lines and blocks of color generate visual tension and dynamism, guiding the eye toward a central convergence point that suggests expansion and movement. The interaction between dark and light areas provides volume and a subtle 3D illusion, granting the piece a sophisticated, contemporary presence.
Name: Alejandro Valdés Hernández
Nationality: Cuban
Year of birth: 1974
Place of birth: Havana, Cuba
Specialty: Contemporary painting, mixed media and printmaking
Education
1989–1993 — Elementary Level of Plastic Arts, Havana
1993–1997 — National Academy of Fine Arts San Alejandro, Havana
Influences: Caribbean expressionism, lyric abstraction, urban memory
Working lines
Alejandro Valdés Hernández’s work centers on urban memory, migration, and the relationship between architecture and emotion. His style combines tactile layers, gestural drawing, and warm palettes
Techniques:
Oil and acrylics on canvas
Mixed media with sand and natural pigments
Experimental printmaking
Ephemeral murals
Solo exhibitions
2001 — Submerged Cities, Independent Gallery, Havana
2006 — Cartographies of Memory, Alternative Cultural Center, Mexico City
2010 — Interior Tropic, self-managed space, Bogotá
2015 — Architectures of Memory, Contemporary Art Gallery, Miami
2021 — Fragmented Island, private gallery, Madrid
Group exhibitions
1998 — Show of Cuban young painters, Havana
2003 — Caribbean Alternative Biennial, Santo Domingo
2008 — Encounter of Emerging Latin American Art, Buenos Aires
2014 — Art and Territory, Lima
2019 — Contemporary Caribbean Painting, San Juan
2023 — Latin American artists in diaspora, Barcelona
Works in collections
Private collections in Cuba, Mexico, Colombia, and Spain
Murals and works in independent cultural spaces in Havana
Works in Latin American artist residences
Works in private collections in Miami, Panama, and Buenos Aires
Artist residencies
2004 — Contemporary Art Residency, Oaxaca
2012 — Experimental Printmaking Studio, Medellín
2018 — Artistic Exchange Program, Montevideo
Publications and mentions
Catalogs of independent exhibitions in Latin America
Critical essays in culturally oriented, limited-audience magazines
Participation in alternative curatorial projects
“I paint cities that do not exist, or that only exist in memory. My work is an emotional cartography of those who leave without stopping to inhabit it.”
Work in acrylic on unstretched canvas, packed in bubble wrap and placed inside a rigid cardboard tube, in addition to being secured by the shipping company (CORREOS ESPAÑA).
