saname (1980) - Trace n°2606





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Original street art painting by Saname (born 1980), titled Trace n°2606, created in 2026, acrylic and spray paint on high‑quality cotton canvas (107 x 79 cm), varnished and hand-signed, unframed and rolled for delivery, with certificate of authenticity; edition Original; country of origin France; weight 2 kg; condition Excellent.
Description from the seller
"Trace No. 2606"
Original painting by Saname, large format
Acrylic paint and spray on high-quality cotton canvas
107 x 79 cm
(canvas sold without frame, delivered rolled).
On stretcher: 100 x 70 cm
Gallery value: €900
The canvas is varnished and sold with a certificate of authenticity
Result more beautiful and appreciable in reality than in the photo, impact guaranteed!
Carefully packaged with insurance.
(please note your remarks on the delivery note in case of a damaged package)
This work plays on a visually controlled tension between construction and erasure. On the left, a formal graffiti-derived vocabulary – angular volumes, interlocked letters, fragmented perspectives – asserts itself with confidence. The saturated greens, modulated by deep shadows, give the structure a nearly sculptural presence. The black, nerve-wracked lines act as graphic scars, reinforcing the urban energy of the composition.
But this colorful architecture is brutally interrupted by a vertical tear. This false pull-apart reveals a surface that is more fragile, almost intimate: a yellow background altered by drips, on which the bluish silhouette of a sketched face can be discerned. The contrast is striking. On one side, technical mastery and the assertive identity of the lettering; on the other, a phantom figure dissolved into the material.
The treatment of the drips – long green and blue streaks – introduces a temporal dimension. They suggest erosion, rain, the passage of time on the wall. The work thus seems to speak of memory: what is displayed, claimed, ultimately fissures, revealing a more vulnerable presence.
The palette, dominated by acids greens and patinated yellows, creates an atmosphere that is at once organic and industrial. The face, almost erased, becomes the emotional heart of the painting. It is not depicted with precision, but suggested – as if human identity were trying to survive beneath successive layers of signs and paint.
In short, this piece intelligently articulates the dialectic between surface and depth, between collective expression (graffiti) and silent interiority (the portrait). It captures the spirit of the urban wall: a place of assertion, but also a sensitive palimpsest of human traces.
The discreet artist Saname is on the rise!!!!
"Trace No. 2606"
Original painting by Saname, large format
Acrylic paint and spray on high-quality cotton canvas
107 x 79 cm
(canvas sold without frame, delivered rolled).
On stretcher: 100 x 70 cm
Gallery value: €900
The canvas is varnished and sold with a certificate of authenticity
Result more beautiful and appreciable in reality than in the photo, impact guaranteed!
Carefully packaged with insurance.
(please note your remarks on the delivery note in case of a damaged package)
This work plays on a visually controlled tension between construction and erasure. On the left, a formal graffiti-derived vocabulary – angular volumes, interlocked letters, fragmented perspectives – asserts itself with confidence. The saturated greens, modulated by deep shadows, give the structure a nearly sculptural presence. The black, nerve-wracked lines act as graphic scars, reinforcing the urban energy of the composition.
But this colorful architecture is brutally interrupted by a vertical tear. This false pull-apart reveals a surface that is more fragile, almost intimate: a yellow background altered by drips, on which the bluish silhouette of a sketched face can be discerned. The contrast is striking. On one side, technical mastery and the assertive identity of the lettering; on the other, a phantom figure dissolved into the material.
The treatment of the drips – long green and blue streaks – introduces a temporal dimension. They suggest erosion, rain, the passage of time on the wall. The work thus seems to speak of memory: what is displayed, claimed, ultimately fissures, revealing a more vulnerable presence.
The palette, dominated by acids greens and patinated yellows, creates an atmosphere that is at once organic and industrial. The face, almost erased, becomes the emotional heart of the painting. It is not depicted with precision, but suggested – as if human identity were trying to survive beneath successive layers of signs and paint.
In short, this piece intelligently articulates the dialectic between surface and depth, between collective expression (graffiti) and silent interiority (the portrait). It captures the spirit of the urban wall: a place of assertion, but also a sensitive palimpsest of human traces.
The discreet artist Saname is on the rise!!!!

