PIERRE RIOLLET - THE WAVE VEYRIER





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| €75 | ||
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Pierre Riollet, The Wave Veyrier, a 55 × 55 cm giclée print, edition 8/30 from 2025, signed on the bottom right with a certificate of authenticity provided.
Description from the seller
Digigraphy (giclée print) number 8 of 30 copies.
Limited edition of 30 copies on Hahnemühle William Turner 310g paper from an original oil on canvas painting 100 by 100 cm from 2019.
Signature bottom right. The numbering bottom left. Signed and numbered on the back.
A complete and signed certificate of authenticity will also be provided to the purchaser.
On a jetty facing Lake Annecy, a woman looks toward the horizon. The atmosphere is windy, but the light is fantastic.
About Pierre
Pierre Riollet graduated from the École d’Art Auguste Renoir in Paris in 1983. After 20 years in advertising as an art director, he decided to devote himself exclusively to painting. Following a trip to the United States in 1987, he began work on the theme of New York façades and their shadows, inspired by American hyperrealists.
Always captivated by light, his work took a new direction a few years later, on the theme of passages. The contrast effect between shadow and light induced by this subject is a hallmark of this period. The dark frame magnifies external clarity and directs the gaze toward a dazzling opening, letting the imagination drift toward the light. Beyond the pictorial aspect, it is also the symbolism of the strength of transition that is expressed in these passages.
Having long declined all kinds of backlighting in cafes, urban atmospheres, nocturnal and snowy landscapes, portraits… his painting now leans toward reflections, especially of the sea. Always with the same attention paid to chromatic accuracy, Pierre is now passionate about the decomposition of light and its interaction. Through the use of brushwork approaching abstraction when the gaze zooms in on details, his canvases—mostly, these days, large formats—emanate a vibratory energy of great intensity.
Pierre Riollet regularly exhibits in numerous galleries and contemporary art fairs. His works are now in many private collections.
His journey is somewhat like a progressive zoom which, from one canvas to another, traversing all these passages, advances toward the light.
Digigraphy (giclée print) number 8 of 30 copies.
Limited edition of 30 copies on Hahnemühle William Turner 310g paper from an original oil on canvas painting 100 by 100 cm from 2019.
Signature bottom right. The numbering bottom left. Signed and numbered on the back.
A complete and signed certificate of authenticity will also be provided to the purchaser.
On a jetty facing Lake Annecy, a woman looks toward the horizon. The atmosphere is windy, but the light is fantastic.
About Pierre
Pierre Riollet graduated from the École d’Art Auguste Renoir in Paris in 1983. After 20 years in advertising as an art director, he decided to devote himself exclusively to painting. Following a trip to the United States in 1987, he began work on the theme of New York façades and their shadows, inspired by American hyperrealists.
Always captivated by light, his work took a new direction a few years later, on the theme of passages. The contrast effect between shadow and light induced by this subject is a hallmark of this period. The dark frame magnifies external clarity and directs the gaze toward a dazzling opening, letting the imagination drift toward the light. Beyond the pictorial aspect, it is also the symbolism of the strength of transition that is expressed in these passages.
Having long declined all kinds of backlighting in cafes, urban atmospheres, nocturnal and snowy landscapes, portraits… his painting now leans toward reflections, especially of the sea. Always with the same attention paid to chromatic accuracy, Pierre is now passionate about the decomposition of light and its interaction. Through the use of brushwork approaching abstraction when the gaze zooms in on details, his canvases—mostly, these days, large formats—emanate a vibratory energy of great intensity.
Pierre Riollet regularly exhibits in numerous galleries and contemporary art fairs. His works are now in many private collections.
His journey is somewhat like a progressive zoom which, from one canvas to another, traversing all these passages, advances toward the light.

