2026 - 20 Wit minimalistisch wandrelief





| €55 | ||
|---|---|---|
| €6 | ||
| €5 | ||
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Hans Meeuwsen's unique white porcelain minimalist abstract wall relief titled 2026 - 20, measuring 150 mm wide, 174 mm high and 50 mm deep, dated 2026 and signed with two porcelain applications (one bearing the artist's first name and the other the Japanese characters Raku and Yakimono).
Description from the seller
The artwork is made of porcelain, fired with oxidation at 1240°C. The wall thickness is about one millimeter.
There is a notch at the rear to hang the work. In the first five photos with the light background the object is shown hanging.
This is a unique handmade object.
The artist has signed this work with two porcelain applications, one bearing his first name and the initial of his last name; the other bears two Japanese characters, Raku and Yakimono.
For shipping this crate will be packed as a “box in box,” with the space between filled with shock-absorbing, environmentally friendly material.
Hans Meeuwsen (1954, The Netherlands) graduated from the Visual Arts Academy in Tilburg to initially become a teacher in visual arts at an upper secondary school. His main specialty was drawing, but he accidentally discovered the potential of clay as a visual arts medium. Rolling, pressing and cutting produced small flat clay squares that he used to build cubic shapes looking like hermetically closed cells.
A few years later he received national and international recognition with exhibitions in The Netherlands and Germany. Important works from that time include towers, pyramids and other constructions, some being pure geometric abstractions, others being interpretations of the mythical Tower of Babel. Hans further developed his ceramic skills during residencies at the European Ceramic Work Centre in The Netherlands and during periods in New Zealand, Lithuania and the Japanese island Hirado.
During the most recent years he has further developed his ceramic skills and works with creamy white wafer-thin slices of porcelain that are mounted into cubes or pyramids. By stacking these geometric shapes in repetitive patterns he creates sculptures reminiscent of the Dutch Zero Movement and, in particular, the works by Jan Schoonhoven, but ultimately they clearly bear the artist’s own signature. He applies his decades-long experience to create a dialogue between inner and outer space, between geometric and organic, between order and chaos.
Hans Meeuwsen is a Prix de Rome nominee of 1987 and a Fletcher Challenge Ceramic Merit Award winner of 1992, and ever since then his work has found its way to many national and international collections.
Seller's Story
The artwork is made of porcelain, fired with oxidation at 1240°C. The wall thickness is about one millimeter.
There is a notch at the rear to hang the work. In the first five photos with the light background the object is shown hanging.
This is a unique handmade object.
The artist has signed this work with two porcelain applications, one bearing his first name and the initial of his last name; the other bears two Japanese characters, Raku and Yakimono.
For shipping this crate will be packed as a “box in box,” with the space between filled with shock-absorbing, environmentally friendly material.
Hans Meeuwsen (1954, The Netherlands) graduated from the Visual Arts Academy in Tilburg to initially become a teacher in visual arts at an upper secondary school. His main specialty was drawing, but he accidentally discovered the potential of clay as a visual arts medium. Rolling, pressing and cutting produced small flat clay squares that he used to build cubic shapes looking like hermetically closed cells.
A few years later he received national and international recognition with exhibitions in The Netherlands and Germany. Important works from that time include towers, pyramids and other constructions, some being pure geometric abstractions, others being interpretations of the mythical Tower of Babel. Hans further developed his ceramic skills during residencies at the European Ceramic Work Centre in The Netherlands and during periods in New Zealand, Lithuania and the Japanese island Hirado.
During the most recent years he has further developed his ceramic skills and works with creamy white wafer-thin slices of porcelain that are mounted into cubes or pyramids. By stacking these geometric shapes in repetitive patterns he creates sculptures reminiscent of the Dutch Zero Movement and, in particular, the works by Jan Schoonhoven, but ultimately they clearly bear the artist’s own signature. He applies his decades-long experience to create a dialogue between inner and outer space, between geometric and organic, between order and chaos.
Hans Meeuwsen is a Prix de Rome nominee of 1987 and a Fletcher Challenge Ceramic Merit Award winner of 1992, and ever since then his work has found its way to many national and international collections.

