Andreas Schelfhout (1787–1870) - Saying Goodbye, 1838






Master in early Renaissance Italian painting with internship at Sotheby’s and 15 years' experience.
| €270 | ||
|---|---|---|
| €250 | ||
| €150 | ||
Catawiki Buyer Protection
Your payment’s safe with us until you receive your object.View details
Trustpilot 4.4 | 128856 reviews
Rated Excellent on Trustpilot.
Saying Goodbye, 1838 is a 19th‑century pencil drawing by the Dutch artist Andreas Schelfhout from the Netherlands.
Description from the seller
FREE SHIPPING WITHIN THE EU RATED EXCELLENT
A splendid 19th-century drawing by Andreas Schelfhout (1787–1870), the renowned Dutch painter, etcher and lithographer celebrated for his Romantic landscapes and marine scenes.
Made in 1838, this finely observed pencil drawing captures a poignant farewell on the Dutch shoreline. At the heart of the composition, a fisherman embraces his wife and child before embarking upon the uncertain journey to sea. A second child sits beside bundled provisions, while sailing vessels gather in the harbour beyond, their masts and rigging rising against an expansive sky.
Born and based in The Hague, Schelfhout became one of the most influential landscape artists of his era, with a body of work spanning plein-air studies, winter vistas, coastal views, and maritime life. Though widely admired for his celebrated ice scenes, this intimate coastal subject reveals his equal mastery in rendering the poetry of everyday Dutch life.
Beyond his own accomplished oeuvre, Schelfhout’s legacy is profoundly tied to his role as teacher and mentor. He trained and influenced a remarkable circle of artists who would achieve distinction in their own right, including:
Johan Jongkind (1819–1891), later regarded as a forerunner of Impressionism
Charles Leickert (1816–1907), noted for winter landscapes
Johannes Josephus Destree (1797–1851)
Jan Willem van Borselen (1825–1892)
Nicolaas Roosenboom (1805–1880)
Margaretha Schelfhout (1827–1911), his daughter
Johannes Gijsbert Vogel (1828–1915), his son-in-law
Willem Troost (1812–1893)
Louis Rémy Mignot (1831–1870) of the Hudson River School
Wijnand Nuyen (1813–1839), his son-in-law
Through both his art and his teaching, Schelfhout played a pivotal role in shaping 19th-century Dutch landscape painting, bridging Romanticism and the naturalistic tendencies that would later define the Hague School. A great addition to any art collection!
Provenance: Private European collection and auction provenance on the reverse.
Signed l.r.: A. Schelfhout f(ecit) (18)38
Dimensions (approx.): 10.3 x 12.5 cm (artwork), 20.3 x 23.8 cm (incl. frame/total).
Condition: Excellent
Please note: The frame and protection glass are included as complimentary gifts and should be regarded as such.
Shipping: Fast dispatch Tracked Insured Eco-friendly
– Dispatched from Germany, or local (free coffee:)) pick-up available. Please ensure your shipping details are complete and accurate to help avoid delays.
Colour disclaimer: Digital screens display colours differently; the item may appear slightly different in person.
Please consider reusing or recycling the packaging. Thank you!
Seller's Story
FREE SHIPPING WITHIN THE EU RATED EXCELLENT
A splendid 19th-century drawing by Andreas Schelfhout (1787–1870), the renowned Dutch painter, etcher and lithographer celebrated for his Romantic landscapes and marine scenes.
Made in 1838, this finely observed pencil drawing captures a poignant farewell on the Dutch shoreline. At the heart of the composition, a fisherman embraces his wife and child before embarking upon the uncertain journey to sea. A second child sits beside bundled provisions, while sailing vessels gather in the harbour beyond, their masts and rigging rising against an expansive sky.
Born and based in The Hague, Schelfhout became one of the most influential landscape artists of his era, with a body of work spanning plein-air studies, winter vistas, coastal views, and maritime life. Though widely admired for his celebrated ice scenes, this intimate coastal subject reveals his equal mastery in rendering the poetry of everyday Dutch life.
Beyond his own accomplished oeuvre, Schelfhout’s legacy is profoundly tied to his role as teacher and mentor. He trained and influenced a remarkable circle of artists who would achieve distinction in their own right, including:
Johan Jongkind (1819–1891), later regarded as a forerunner of Impressionism
Charles Leickert (1816–1907), noted for winter landscapes
Johannes Josephus Destree (1797–1851)
Jan Willem van Borselen (1825–1892)
Nicolaas Roosenboom (1805–1880)
Margaretha Schelfhout (1827–1911), his daughter
Johannes Gijsbert Vogel (1828–1915), his son-in-law
Willem Troost (1812–1893)
Louis Rémy Mignot (1831–1870) of the Hudson River School
Wijnand Nuyen (1813–1839), his son-in-law
Through both his art and his teaching, Schelfhout played a pivotal role in shaping 19th-century Dutch landscape painting, bridging Romanticism and the naturalistic tendencies that would later define the Hague School. A great addition to any art collection!
Provenance: Private European collection and auction provenance on the reverse.
Signed l.r.: A. Schelfhout f(ecit) (18)38
Dimensions (approx.): 10.3 x 12.5 cm (artwork), 20.3 x 23.8 cm (incl. frame/total).
Condition: Excellent
Please note: The frame and protection glass are included as complimentary gifts and should be regarded as such.
Shipping: Fast dispatch Tracked Insured Eco-friendly
– Dispatched from Germany, or local (free coffee:)) pick-up available. Please ensure your shipping details are complete and accurate to help avoid delays.
Colour disclaimer: Digital screens display colours differently; the item may appear slightly different in person.
Please consider reusing or recycling the packaging. Thank you!
