Oliver Plehn - Ian Curtis

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Oliver Plehn, Ian Curtis, original oil painting with charcoal on canvas, 55 cm by 46 cm, created in 2017, hand-signed, in excellent condition, from Spain, depicting popular culture.

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Description from the seller

Ian Curtis’s portrait, the singer of Joy Division, was created with charcoal and oil paint on a 55 cm x 46 cm canvas in 2025. Signed by a black label painter at the bottom left. Comes with a certificate of authenticity, in impeccable condition. The work is shipped rolled inside a tube.

MIRRORS OF THE SELF: PORTRAITS OF FRAGILITY AND STRENGTH
By Antonio Sánchez. Director and curator of 1819 Art Gallery
The collection we are dealing with is an emotional compendium of works that explore the depth of the human condition through portraits and figures laden with symbolism. These pieces weave together a visual narrative that unfolds a palette of subtle and often somber colors, evoking introspective and contemplative moods. The technical skill reveals not only mastery of the medium but also an intense emotional connection between the artist and his subjects, each carrying a silent yet palpable story.
Textures and techniques range from softly blurred to aggressively marked, reflecting the diversity of human emotions and the complexity of our experiences. The strokes, whether firm or tremulous, along with the play of light and shadow, build an atmosphere that transcends the visual to touch the viewer’s soul.
The work oscillates between literal representation and abstraction, allowing the viewer’s mind to complete the gaps, encouraging deeper engagement. The intentional use of discordant or unexpected elements, such as a knife piercing a figure’s face, challenges our perceptions and provokes introspective reflection on what it means to be human in times of emotional and social turmoil.
The collection as a whole serves as a mirror of the fragility and strength inherent in the human spirit. Each piece, while remaining unique in its expression, contributes to a broader dialogue about resilience and vulnerability. The choice of subjects, from human figures to representations of animals, each imbued with deep emotionality, amplifies this dialogue, suggesting universality in our emotional experiences.
This set of works, far from being merely a display of technical skill, is a testament to the power of art to move, connect, and question. The collection not only captures the aesthetic beauty of its subjects but also acts as a catalyst for personal and collective exploration of deep and often contradictory emotions. In doing so, these works invite viewers to confront the unknown within themselves and in the world around them, offering a space for recognition and catharsis.

Artist Biography – Oliver Plehn
The work of German painter and draftsman Oliver Plehn is characterized by expressive representations of the human body and animal life. Faces and bodies form the center of his artistic universe: powerful, sensitive, and rich in psychological depth. Since childhood, images of German Expressionists influenced him, whose emotional immediacy and formal freedom remain a reference in his artistic language to this day.
From a young age, Plehn decided to become an artist and to maintain his creative independence. In addition to studying painting and drawing at art schools, he pursued studies in natural sciences, which allowed him professional independence and artistic freedom. In the early 1990s, a scholarship in the field of quantum mechanics took him to Madrid.
Oliver Plehn lives with his wife and two daughters in the Madrid district of Carabanchel Alto.
Statement of Artistry
My work arises from the impulse to understand human existence in its deepest, most contradictory interior. Throughout my career, I have explored portraiture as a means of revealing not only what is visible but also what is hidden: repressed emotions, scars of the soul, gestures of silent resistance. I paint from fragility, from that liminal space where pain and beauty coexist without permission.
I am not interested in capturing perfect faces, but presence, that speaks of what is left unsaid. I am drawn to silences, looks that carry stories, bodies that vibrate with lived experience. Each work is, for me, an attempt at dialogue with the unknown, that inner territory we often try to escape.
My goal as an artist is to create images that are not only observed but interrogated by the viewer. I want them to act as mirrors in which one can find something of oneself, even in unease or discomfort. I work figuratively, yes, but I seek in it an openness to mystery, to doubt, to emotion that finds no words.
I feel that art has the power to heal, to reveal, and to accompany. In this sense, my practice is also a form of care: for myself and for all those who approach these images with an open heart.
Exhibitions

Online presence on Artsy

Online presence on Flecha.es

Online presence on 1819 Art Gallery
•“Aqua versus Terra,” September 1–30, 2025, Madrid
•“Madrid Hidden,” June 1 to July 15, 2025, Madrid
•“The Gods of Muay Thai and a Strange One,” December 1, 2022 – January 6, 2023, Madrid
•Exhibition at Yale School of Art, March 2021
•Solo exhibition at Madrid-Barajas Adolfo Suárez Airport “Faces of the World,” December 30, 2019 – February 7, 2020
•Solo exhibition “The Passion of the Christ” at Friedenskirche German church, Calle Serrano 6, Madrid
•Exhibition at United Artist Fair 2019 at the Casa de Cantabria, Madrid, February 2019
•Paintings exhibition on Calle Serrano, Madrid, December 2018 – February 2019
•Solo painting exhibition in Madrid, Spain, November 2018
•Paintings exhibition in Madrid, Spain, Calle Serrano, November 2016 – January 2017

Ian Curtis’s portrait, the singer of Joy Division, was created with charcoal and oil paint on a 55 cm x 46 cm canvas in 2025. Signed by a black label painter at the bottom left. Comes with a certificate of authenticity, in impeccable condition. The work is shipped rolled inside a tube.

MIRRORS OF THE SELF: PORTRAITS OF FRAGILITY AND STRENGTH
By Antonio Sánchez. Director and curator of 1819 Art Gallery
The collection we are dealing with is an emotional compendium of works that explore the depth of the human condition through portraits and figures laden with symbolism. These pieces weave together a visual narrative that unfolds a palette of subtle and often somber colors, evoking introspective and contemplative moods. The technical skill reveals not only mastery of the medium but also an intense emotional connection between the artist and his subjects, each carrying a silent yet palpable story.
Textures and techniques range from softly blurred to aggressively marked, reflecting the diversity of human emotions and the complexity of our experiences. The strokes, whether firm or tremulous, along with the play of light and shadow, build an atmosphere that transcends the visual to touch the viewer’s soul.
The work oscillates between literal representation and abstraction, allowing the viewer’s mind to complete the gaps, encouraging deeper engagement. The intentional use of discordant or unexpected elements, such as a knife piercing a figure’s face, challenges our perceptions and provokes introspective reflection on what it means to be human in times of emotional and social turmoil.
The collection as a whole serves as a mirror of the fragility and strength inherent in the human spirit. Each piece, while remaining unique in its expression, contributes to a broader dialogue about resilience and vulnerability. The choice of subjects, from human figures to representations of animals, each imbued with deep emotionality, amplifies this dialogue, suggesting universality in our emotional experiences.
This set of works, far from being merely a display of technical skill, is a testament to the power of art to move, connect, and question. The collection not only captures the aesthetic beauty of its subjects but also acts as a catalyst for personal and collective exploration of deep and often contradictory emotions. In doing so, these works invite viewers to confront the unknown within themselves and in the world around them, offering a space for recognition and catharsis.

Artist Biography – Oliver Plehn
The work of German painter and draftsman Oliver Plehn is characterized by expressive representations of the human body and animal life. Faces and bodies form the center of his artistic universe: powerful, sensitive, and rich in psychological depth. Since childhood, images of German Expressionists influenced him, whose emotional immediacy and formal freedom remain a reference in his artistic language to this day.
From a young age, Plehn decided to become an artist and to maintain his creative independence. In addition to studying painting and drawing at art schools, he pursued studies in natural sciences, which allowed him professional independence and artistic freedom. In the early 1990s, a scholarship in the field of quantum mechanics took him to Madrid.
Oliver Plehn lives with his wife and two daughters in the Madrid district of Carabanchel Alto.
Statement of Artistry
My work arises from the impulse to understand human existence in its deepest, most contradictory interior. Throughout my career, I have explored portraiture as a means of revealing not only what is visible but also what is hidden: repressed emotions, scars of the soul, gestures of silent resistance. I paint from fragility, from that liminal space where pain and beauty coexist without permission.
I am not interested in capturing perfect faces, but presence, that speaks of what is left unsaid. I am drawn to silences, looks that carry stories, bodies that vibrate with lived experience. Each work is, for me, an attempt at dialogue with the unknown, that inner territory we often try to escape.
My goal as an artist is to create images that are not only observed but interrogated by the viewer. I want them to act as mirrors in which one can find something of oneself, even in unease or discomfort. I work figuratively, yes, but I seek in it an openness to mystery, to doubt, to emotion that finds no words.
I feel that art has the power to heal, to reveal, and to accompany. In this sense, my practice is also a form of care: for myself and for all those who approach these images with an open heart.
Exhibitions

Online presence on Artsy

Online presence on Flecha.es

Online presence on 1819 Art Gallery
•“Aqua versus Terra,” September 1–30, 2025, Madrid
•“Madrid Hidden,” June 1 to July 15, 2025, Madrid
•“The Gods of Muay Thai and a Strange One,” December 1, 2022 – January 6, 2023, Madrid
•Exhibition at Yale School of Art, March 2021
•Solo exhibition at Madrid-Barajas Adolfo Suárez Airport “Faces of the World,” December 30, 2019 – February 7, 2020
•Solo exhibition “The Passion of the Christ” at Friedenskirche German church, Calle Serrano 6, Madrid
•Exhibition at United Artist Fair 2019 at the Casa de Cantabria, Madrid, February 2019
•Paintings exhibition on Calle Serrano, Madrid, December 2018 – February 2019
•Solo painting exhibition in Madrid, Spain, November 2018
•Paintings exhibition in Madrid, Spain, Calle Serrano, November 2016 – January 2017

Details

Artist
Oliver Plehn
Sold with frame
No
Sold by
Direct from the artist
Edition
Original
Title of artwork
Ian Curtis
Technique
Charcoal, Oil painting
Signature
Hand signed
Country of origin
Spain
Year
2017
Condition
Excellent condition
Height
55 cm
Width
46 cm
Weight
1 kg
Depiction/theme
Pop Culture
Style
Expressionism
Period
2010-2020
SpainVerified
1
Object sold
Private

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