Stefano Nurra - G-reen





| €35 | ||
|---|---|---|
| €30 | ||
| €25 | ||
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Stefano Nurra, G-reen, a 40×40 cm artwork in gypsum with acrylic paint, 2026, in a limited edition and hand-signed, originating from Italy, 500 g, depicting pop culture in green and white.
Description from the seller
The work is structured through broad horizontal green fields, built with thick stratifications of color that create physical reliefs and natural lines, almost as if the terrain were undulating. The pictorial surface becomes a tactile landscape, where matter is not merely a support but a narrative element.
At the top, a compact white band suggests the presence of another space – bunker or transition zone – that interrupts the continuity of the green. At the bottom right, a golf ball, rendered with greater plastic definition, emerges as the focal point of the entire composition. Its isolated position introduces a sense of suspension: has the gesture already occurred or is it yet to be completed?
The scene is reduced to essentials. There is no human figure, but its presence is implicit in the suggested trajectory and in the silent tension of the space. The contrast between the horizontal regularity of the bands and the irregularity of the material edges creates a balance between control and chance, between plan and the unforeseen.
The work is structured through broad horizontal green fields, built with thick stratifications of color that create physical reliefs and natural lines, almost as if the terrain were undulating. The pictorial surface becomes a tactile landscape, where matter is not merely a support but a narrative element.
At the top, a compact white band suggests the presence of another space – bunker or transition zone – that interrupts the continuity of the green. At the bottom right, a golf ball, rendered with greater plastic definition, emerges as the focal point of the entire composition. Its isolated position introduces a sense of suspension: has the gesture already occurred or is it yet to be completed?
The scene is reduced to essentials. There is no human figure, but its presence is implicit in the suggested trajectory and in the silent tension of the space. The contrast between the horizontal regularity of the bands and the irregularity of the material edges creates a balance between control and chance, between plan and the unforeseen.

