Christine desplanque - Le passage magique





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Christine Desplanque presents Le passage magique, an original oil painting (huile sur toile) from 2022, measuring 60 cm by 60 cm, signed by the artist, painted in France, in excellent condition and mounted on a frame, sold directly by the artist.
Description from the seller
Work mounted on a frame
In this piece, I tried to capture the lively energy and vibrant colors of nature. Using oil painting, I created a passage into mystery that invites daydreaming and escape. The drooping wisteria are not only a vision of beauty, but also a symbol of mystery and renewal. This painting is an invitation to lose oneself in a world where natural beauty heals and inspires.
Christine Desplanque, trained in oil, acrylic, and gold and silver leaf, is influenced by Impressionism and Expressionism. Her colorful and luminous paintings, true odes to nature, are not aimed at describing it, but at provoking an introspective wandering. Her works, part of the Art Résilience movement, evoke the balance between opposites, the mystery of life, and the search for serenity. Her universe is a hymn to life.
She is among the 60 artists of Art Résilience.
Work mounted on a frame
In this piece, I tried to capture the lively energy and vibrant colors of nature. Using oil painting, I created a passage into mystery that invites daydreaming and escape. The drooping wisteria are not only a vision of beauty, but also a symbol of mystery and renewal. This painting is an invitation to lose oneself in a world where natural beauty heals and inspires.
Christine Desplanque, trained in oil, acrylic, and gold and silver leaf, is influenced by Impressionism and Expressionism. Her colorful and luminous paintings, true odes to nature, are not aimed at describing it, but at provoking an introspective wandering. Her works, part of the Art Résilience movement, evoke the balance between opposites, the mystery of life, and the search for serenity. Her universe is a hymn to life.
She is among the 60 artists of Art Résilience.

