Giulio Santoleri - Landscape n. 212

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One-of-a-kind and original
Mixed media on board: acrylic, oil pastels and wax, paint on board 30x40 cm
Glossy transparent fixative varnish on the surface
Initials on the bottom edge and signature on the back
A certificate of authenticity will be attached
No frame
Carefully packed and shipped with tracking number

On the back of the panel there is a hole that can be used to hang it on the wall simply with a nail. The edges of the panel (1.5 cm) are painted black, to create a visual effect that simulates the look of a frame, thus adding depth and an elegant contrast between the work and its surroundings, as if it were enclosed in its own space. Obviously the panel can also be framed freely according to your taste.

For Santoleri, the landscape is not a simple naturalistic view, but a mental and emotional structure, an “inner geography” that reflects moods, silences and concise visions of reality. His painting is characterized by an essential and contemplative approach: forms are reduced to the essential, contours are clear, color fields are sober, in a constant tension between formal rigor and lyrical depth.
His works evoke suspended, almost dreamlike atmospheres, where light plays a symbolic rather than descriptive role, and every element – a hill, a tree, a house – becomes an archetype. His style, balanced between visual minimalism and emotional intensity, recalls certain outcomes of abstract landscape painting and 20th-century Italian painting, while maintaining a completely personal voice.
In 2022 he was selected for the prestigious Premio Marche – Biennale of Contemporary Art, a recognition that confirms the value of his research in the panorama of Italian contemporary art.
His works are present in private collections and in exhibition spaces in Italy and abroad, across Europe, the United States and Asia, testifying to the universality of his visual language.
In 2022 he was selected for the prestigious Premio Marche – Biennale of Contemporary Art, a recognition that confirms the value of his research in the panorama of Italian contemporary art.
He currently lives and works in Sassoferrato (AN), where he continues to explore the relationship between man and nature, time and space, through a meditative painting that invites quiet and reflection. His works are present in private collections and exhibition spaces in Italy and abroad, across Europe, the United States and Asia, testifying to the universality of his visual language.