Stefano Nurra - Golf-eeng VI





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Stefano Nurra, Golf-eeng VI, an acrylic painting with gypsum, is a limited edition 1/1 from 2025, 40 cm high by 30 cm wide, in black, white and green, signed by hand, weighing 2 kg, produced in Italy, in excellent condition and sold directly by the artist, depicting a pop culture sports landscape.
Description from the seller
The work unfolds through two distinct vertical volumes that emerge from a deep black background. The shapes, built with thick layers of color, take on almost the texture of three-dimensional blocks: on the left a green field crossed by faint lines evoking a golf course, on the right a compact and luminous white surface.
Inside the white space, two small figures appear engaged in a sports gesture. Their reduced scale amplifies the perception of the surrounding space, turning the painted matter into landscape. The gesture, barely hinted, suggests action and movement without fully defining them.
The composition rests on the balance between opposites: green and white, fullness and emptiness, density and silence. The field on the left seems distant, almost suspended, while the one on the right becomes the site of human action. Between the two spaces a visual tension is created that invites the viewer to imagine an invisible relationship.
In this work painting becomes mental territory: the sporting landscape is not depicted realistically, but transformed into an essential sign and a space for contemplation.
The work unfolds through two distinct vertical volumes that emerge from a deep black background. The shapes, built with thick layers of color, take on almost the texture of three-dimensional blocks: on the left a green field crossed by faint lines evoking a golf course, on the right a compact and luminous white surface.
Inside the white space, two small figures appear engaged in a sports gesture. Their reduced scale amplifies the perception of the surrounding space, turning the painted matter into landscape. The gesture, barely hinted, suggests action and movement without fully defining them.
The composition rests on the balance between opposites: green and white, fullness and emptiness, density and silence. The field on the left seems distant, almost suspended, while the one on the right becomes the site of human action. Between the two spaces a visual tension is created that invites the viewer to imagine an invisible relationship.
In this work painting becomes mental territory: the sporting landscape is not depicted realistically, but transformed into an essential sign and a space for contemplation.

