Cesare - [Post Incunable] Commentarii - 1531
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Caio Giulio Cesare’s Commentarii, an Italian illustrated edition of 1531 printed in Venice by Bindoni and Mapheo Pasini, bound in full red morocco with gilt tooling, 264 pages, 145 by 98 mm, in good condition with plates beyond the text.
Description from the seller
POST INCUNABLE - THE WARS OF CAESAR: THE STORY OF THE CONQUEST TOLD BY THE VICTOR
This Venetian edition of 1531 of Julius Caesar's Commentarii represents one of the high moments of Renaissance reception of the Caesaran work in Italian vernacular. Translated by Agostino Ortica de la Porta, the version fits into a cultural project of spreading ancient history as a tool for civil, political, and military education. The text, beautifully illustrated and printed with great typographic refinement, presents Caesar not only as a commander and strategist but as a model of clear, rational, and highly persuasive historical writing. The iconographic apparatus, rich and narrative, accompanies the reader on a true visual epic of the Gallic and civil wars, making the volume an object of extraordinary didactic and symbolic power.
MARKET VALUE
In the international market for original sixteenth-century Caesar works in Italian vernacular, the illustrated Venetian editions from the early decades of the 16th century constitute a highly sought-after segment. For complete copies in good condition, with contemporary or eighteenth-century binding and a well-preserved iconographic apparatus, valuations generally range between €4,000 and €6,000; copies with defects, missing parts, or substantial restorations more commonly fall in the €3,500–€5,000 range. The presence of a red and black title page, the publisher’s mark at the colophon, and well-impressed woodcuts constitutes a decisive element in shaping value.
PHYSICAL DESCRIPTION AND CONDITION
Eighteenth-century full leather binding with marbled pasteboards, red edges, shelf-chip with title and gilded ornaments at the back. Title page printed in red and black within a figured woodcut border; numerous full-page woodcuts, with many more in the text; publisher’s mark at the colophon. The last two unnumbered index leaves are missing. Early manuscript annotations. In antique books, with a long history, some imperfections may be present, not always noted in the description. Pp. (2); 12mo; 248; (2).
FULL TITLE AND AUTHOR
Commentarii.
Venice, by Francesco di Alessandro Bindoni et Mapheo Pasini, 1531.
Julius Caesar.
CONTEXT AND SIGNIFICANCE
Caesar’s Commentarii constitute one of the foundational texts of Western historiography: a work that unites historical narration, political propaganda, and an implicit treatise on military art. The vernacular translation by Agostino Ortica de la Porta responds to the typically Renaissance need to make classical knowledge accessible to a broader audience, including readers not fluent in Latin but involved in the political and military life of the Italian peninsula. This 1531 edition stands out for its exceptional woodcut apparatus, which does not merely decorate the text but amplifies its interpretive value, transforming history into a visual sequence and strengthening the rhetorical impact of Caesar’s exploits. The book thus becomes a tool for educating a prince, a captain, and a citizen, in an era marked by ongoing wars and redefining power balances.
BIOGRAPHY OF THE AUTHOR
Julius Caesar (100–44 BC) was a Roman general, politician, and writer, the central figure of the late Republic. With campaigns in Gaul and the subsequent civil war, he radically transformed the political geography of the Roman world. His Commentarii, written in a restrained and apparently objective style, are considered a masterpiece of Latin prose and an unmatched model of historical and military narration.
PRINTING HISTORY AND CIRCULATION
The Venetian workshop of Francesco Bindoni and Mapheo Pasini was among the most active in producing classical texts in the vernacular in the first half of the 16th century. The illustrated editions of Caesar’s Commentarii enjoyed wide diffusion, both in civilian and military spheres, and were frequently reprinted. The earliest printings, such as the 1531 edition, are today decidedly rarer, especially in copies with a complete iconographic apparatus and well-preserved title pages.
BIBLIOGRAPHY AND REFERENCES
ICCU / OPAC SBN: records relating to the Venetian editions of Caesar’s Commentarii, Bindoni–Pasini, 1531.
Adams, Catalogue of Books Printed on the Continent of Europe, s.v. Caesar.
Edit16, CNCE, repertorio delle edizioni italiane del XVI secolo.
Brunet, Manuel du libraire, entry “César.”
Mortimer, Harvard College Library Catalogue of Italian 16th Century Books, section: Caesar.
Seller's Story
POST INCUNABLE - THE WARS OF CAESAR: THE STORY OF THE CONQUEST TOLD BY THE VICTOR
This Venetian edition of 1531 of Julius Caesar's Commentarii represents one of the high moments of Renaissance reception of the Caesaran work in Italian vernacular. Translated by Agostino Ortica de la Porta, the version fits into a cultural project of spreading ancient history as a tool for civil, political, and military education. The text, beautifully illustrated and printed with great typographic refinement, presents Caesar not only as a commander and strategist but as a model of clear, rational, and highly persuasive historical writing. The iconographic apparatus, rich and narrative, accompanies the reader on a true visual epic of the Gallic and civil wars, making the volume an object of extraordinary didactic and symbolic power.
MARKET VALUE
In the international market for original sixteenth-century Caesar works in Italian vernacular, the illustrated Venetian editions from the early decades of the 16th century constitute a highly sought-after segment. For complete copies in good condition, with contemporary or eighteenth-century binding and a well-preserved iconographic apparatus, valuations generally range between €4,000 and €6,000; copies with defects, missing parts, or substantial restorations more commonly fall in the €3,500–€5,000 range. The presence of a red and black title page, the publisher’s mark at the colophon, and well-impressed woodcuts constitutes a decisive element in shaping value.
PHYSICAL DESCRIPTION AND CONDITION
Eighteenth-century full leather binding with marbled pasteboards, red edges, shelf-chip with title and gilded ornaments at the back. Title page printed in red and black within a figured woodcut border; numerous full-page woodcuts, with many more in the text; publisher’s mark at the colophon. The last two unnumbered index leaves are missing. Early manuscript annotations. In antique books, with a long history, some imperfections may be present, not always noted in the description. Pp. (2); 12mo; 248; (2).
FULL TITLE AND AUTHOR
Commentarii.
Venice, by Francesco di Alessandro Bindoni et Mapheo Pasini, 1531.
Julius Caesar.
CONTEXT AND SIGNIFICANCE
Caesar’s Commentarii constitute one of the foundational texts of Western historiography: a work that unites historical narration, political propaganda, and an implicit treatise on military art. The vernacular translation by Agostino Ortica de la Porta responds to the typically Renaissance need to make classical knowledge accessible to a broader audience, including readers not fluent in Latin but involved in the political and military life of the Italian peninsula. This 1531 edition stands out for its exceptional woodcut apparatus, which does not merely decorate the text but amplifies its interpretive value, transforming history into a visual sequence and strengthening the rhetorical impact of Caesar’s exploits. The book thus becomes a tool for educating a prince, a captain, and a citizen, in an era marked by ongoing wars and redefining power balances.
BIOGRAPHY OF THE AUTHOR
Julius Caesar (100–44 BC) was a Roman general, politician, and writer, the central figure of the late Republic. With campaigns in Gaul and the subsequent civil war, he radically transformed the political geography of the Roman world. His Commentarii, written in a restrained and apparently objective style, are considered a masterpiece of Latin prose and an unmatched model of historical and military narration.
PRINTING HISTORY AND CIRCULATION
The Venetian workshop of Francesco Bindoni and Mapheo Pasini was among the most active in producing classical texts in the vernacular in the first half of the 16th century. The illustrated editions of Caesar’s Commentarii enjoyed wide diffusion, both in civilian and military spheres, and were frequently reprinted. The earliest printings, such as the 1531 edition, are today decidedly rarer, especially in copies with a complete iconographic apparatus and well-preserved title pages.
BIBLIOGRAPHY AND REFERENCES
ICCU / OPAC SBN: records relating to the Venetian editions of Caesar’s Commentarii, Bindoni–Pasini, 1531.
Adams, Catalogue of Books Printed on the Continent of Europe, s.v. Caesar.
Edit16, CNCE, repertorio delle edizioni italiane del XVI secolo.
Brunet, Manuel du libraire, entry “César.”
Mortimer, Harvard College Library Catalogue of Italian 16th Century Books, section: Caesar.
