Sory Sanlé - Les peuhls au studio






Over 35 years' experience; former gallery owner and Museum Folkwang curator.
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Description from the seller
Sanlé Sory is a Burkinabé photographer, born in 1943 in Nianiagara in the Republic of Upper Volta.
Ibrahima Sanlé Sory arrives in Bobo-Dioulasso in 1957. Having become a journalist and photographer, he also produces illustrations for record covers.
He opens his Volta Photo studio in 1962, as his country gains independence. He buys a Rolleiflex 6×6, and begins by taking ID photos and photographs of road accidents for the local police.
Quickly, he attains notoriety in Bobo-Dioulasso, which at the time was the cultural and economic capital of the former Upper Volta, and where young Africans “hungry for modernity” came “to have their portrait taken.”
Produced between 1960 and 1985, his photographic work “bears witness to the happiness of a regained freedom and to a social and cultural effervescence unique of its kind.”
Exhibitions
2015 : Folk art Africa in origin, Fonds régional d’art contemporain de Bordeaux.
2015 : À la rencontre de la photographie africaine, médiathèque de Mérignac.
2018 : Retrospective, Art Institute of Chicago.
2020 : Tête à Têtes - West African Portraiture from Independence into the 21st Century, David Hill Gallery, London.
2020 : Bobo Yéyé, Sanlé Sory, Galerie du Château d’Eau, Toulouse.
Photographs accompanied by a certificate of authenticity.
Seller's Story
Sanlé Sory is a Burkinabé photographer, born in 1943 in Nianiagara in the Republic of Upper Volta.
Ibrahima Sanlé Sory arrives in Bobo-Dioulasso in 1957. Having become a journalist and photographer, he also produces illustrations for record covers.
He opens his Volta Photo studio in 1962, as his country gains independence. He buys a Rolleiflex 6×6, and begins by taking ID photos and photographs of road accidents for the local police.
Quickly, he attains notoriety in Bobo-Dioulasso, which at the time was the cultural and economic capital of the former Upper Volta, and where young Africans “hungry for modernity” came “to have their portrait taken.”
Produced between 1960 and 1985, his photographic work “bears witness to the happiness of a regained freedom and to a social and cultural effervescence unique of its kind.”
Exhibitions
2015 : Folk art Africa in origin, Fonds régional d’art contemporain de Bordeaux.
2015 : À la rencontre de la photographie africaine, médiathèque de Mérignac.
2018 : Retrospective, Art Institute of Chicago.
2020 : Tête à Têtes - West African Portraiture from Independence into the 21st Century, David Hill Gallery, London.
2020 : Bobo Yéyé, Sanlé Sory, Galerie du Château d’Eau, Toulouse.
Photographs accompanied by a certificate of authenticity.
