MURSIC - MAREE HAUTE A ST MALO






Holds a master's degree in film and visual arts; experienced curator, writer, and researcher.
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Oil painting by MURSIC titled MAREE HAUTE A ST MALO, 2025, contemporary, original edition, hand-signed, 50 × 60 cm, France, excellent condition.
Description from the seller
Gérard Mursic's subjects are as rich as they are varied. Natural landscapes, seascapes, urban environments, still lifes, or floral arrangements are evoked in the artist's oil paintings in a spontaneous and fleeting manner. Evocation is indeed at the heart of his approach, which favors intuition over expression, sensuality over intellect.
Proceeding by additions, removals, and wipe-offs, the artist develops a singular technique producing subtle effects or, on the contrary, dynamic movements. In the manner of watercolors, he favors white, which places contrast at the heart of the composition. “The canvas is a search, an exploration,” says Gérard Mursic.
Working with forms and colors, varying rhythms and experimenting with lights and textures, the artist cherishes the interactions between what complements each other but does not resemble one another.
For it is instinct that shapes the painter's raw material. Freed from the constraints of drawing and representation, Gérard Mursic lets himself be carried by his themes into the creative whirl. Along the way, the subject sometimes evaporates, disperses, or loses itself, forcing the spectator to engage in turn in the aesthetic process, taking ownership of the canvas, projecting their imagination onto it.
CARRE D’ARTISTES
He has been rewarded in numerous art salons (Thorigné-Fouillard, St Brieuc, Issoudun... .
Invited by the Turkish city of Kusadasi, he participates in the International Workshop of Art in September 2016. He was recently selected by the Fellini Gallery in Berlin for the Velocity Exhibition in 2016.
Paintings on view at the PYGMALION Gallery in Saint-Nazaire, the Galerie ST PAUL in Saint-Paul de Vence.
Honorary guest at Saint-Martin-de-Boscherville (Rouen)ERNEE, Issoudun (2022), Saint-Pryvé (Orléans) (2021), Benouville (Caen), Luc-sur-Mer (Caen), Yvetot, La Bouille (Rouen), Carquefou (2023), Locquirec (2023)…
Gérard Mursic's subjects are as rich as they are varied. Natural landscapes, seascapes, urban environments, still lifes, or floral arrangements are evoked in the artist's oil paintings in a spontaneous and fleeting manner. Evocation is indeed at the heart of his approach, which favors intuition over expression, sensuality over intellect.
Proceeding by additions, removals, and wipe-offs, the artist develops a singular technique producing subtle effects or, on the contrary, dynamic movements. In the manner of watercolors, he favors white, which places contrast at the heart of the composition. “The canvas is a search, an exploration,” says Gérard Mursic.
Working with forms and colors, varying rhythms and experimenting with lights and textures, the artist cherishes the interactions between what complements each other but does not resemble one another.
For it is instinct that shapes the painter's raw material. Freed from the constraints of drawing and representation, Gérard Mursic lets himself be carried by his themes into the creative whirl. Along the way, the subject sometimes evaporates, disperses, or loses itself, forcing the spectator to engage in turn in the aesthetic process, taking ownership of the canvas, projecting their imagination onto it.
CARRE D’ARTISTES
He has been rewarded in numerous art salons (Thorigné-Fouillard, St Brieuc, Issoudun... .
Invited by the Turkish city of Kusadasi, he participates in the International Workshop of Art in September 2016. He was recently selected by the Fellini Gallery in Berlin for the Velocity Exhibition in 2016.
Paintings on view at the PYGMALION Gallery in Saint-Nazaire, the Galerie ST PAUL in Saint-Paul de Vence.
Honorary guest at Saint-Martin-de-Boscherville (Rouen)ERNEE, Issoudun (2022), Saint-Pryvé (Orléans) (2021), Benouville (Caen), Luc-sur-Mer (Caen), Yvetot, La Bouille (Rouen), Carquefou (2023), Locquirec (2023)…
