Assadour Baharian (1924–1990) - Lanscape





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Assadour Baharian, Lanscape, a 1988 watercolour landscape painting, signed, original edition, sold with frame, Greece, 72 cm by 54 cm, in excellent condition.
Description from the seller
Assadour Baharian (1924–1990). He was a towering figure of the Greek-Armenian community, a resilient activist, and a visionary who transformed the Greek art scene even during its darkest political hours.
The Visionary of Resistance and the "Ora" of Greek Culture
Assadour Baharian was a prominent Greek-Armenian painter, graphic designer, and cultural pioneer. His life was a testament to the power of art as a form of resistance, and his work remains a cornerstone of 20th-century Greek cultural history.
Early Life and The Shadow of War
Born in Athens in 1924, Baharian grew up in a refugee settlement, a background that deeply influenced his social consciousness. He studied at the Athens School of Fine Arts under masters like Umvertos Argyros and Dimitrios Biskinis. However, his studies were interrupted by the German occupation of Greece, during which he actively participated in the National Resistance.
The Prison Years: Art as Survival
In 1945, due to his political activism, Baharian was arrested. He spent the next 15 years (1945–1960) as a political prisoner in various Greek jails and places of exile.
The Prison Collection: Despite the bleak conditions, he never stopped painting. He used whatever materials he could find to depict the daily lives of prisoners, creating a hauntingly beautiful collection of works in soft, dim tones.
First Recognition: His prison works were first exhibited at the Zygos gallery in 1961, immediately establishing him as a master of "critical realism."
The "Ora" Cultural Center: A Beacon in the Dark
In 1969, during the height of the Greek military junta (1967–1974), Baharian founded the Ora Artistic and Cultural Center in a neoclassical building near Syntagma Square.
Cultural Hub: Under his direction, "Ora" became the most vital intellectual hub in Athens. It wasn't just a gallery; it was a sanctuary for music, poetry, and debate, keeping the spirit of free thought alive when it was most suppressed.
Graphic Arts: He also taught graphic design at the Vakalo School, bridging the gap between fine art and commercial communication.
Artistic Evolution
While his early work was defined by the "dark" realism of his imprisonment, his later years saw a transition toward watercolors.
The Master of Light: His watercolor landscapes are celebrated for their technical perfection and sensitive use of color, reflecting a more poetic and serene outlook on the world.
International Presence: He presented over 38 solo exhibitions and represented Greece in major international forums, including the European Watercolor Institute in Brussels (1987).
Legacy
Assadour Baharian died in Athens in 1990. In 2003, the National Bank of Greece Cultural Foundation (MIET) organized a massive retrospective of his work, solidifying his place as one of the most important Greek artists of the post-war era.
"He regained his liberty at 36, but he never let his spirit be imprisoned."
This unique watercolor painting is originaly framed and it's final dimensions including sheet/canvas/frame is 91x73X2cm
Assadour Baharian (1924–1990). He was a towering figure of the Greek-Armenian community, a resilient activist, and a visionary who transformed the Greek art scene even during its darkest political hours.
The Visionary of Resistance and the "Ora" of Greek Culture
Assadour Baharian was a prominent Greek-Armenian painter, graphic designer, and cultural pioneer. His life was a testament to the power of art as a form of resistance, and his work remains a cornerstone of 20th-century Greek cultural history.
Early Life and The Shadow of War
Born in Athens in 1924, Baharian grew up in a refugee settlement, a background that deeply influenced his social consciousness. He studied at the Athens School of Fine Arts under masters like Umvertos Argyros and Dimitrios Biskinis. However, his studies were interrupted by the German occupation of Greece, during which he actively participated in the National Resistance.
The Prison Years: Art as Survival
In 1945, due to his political activism, Baharian was arrested. He spent the next 15 years (1945–1960) as a political prisoner in various Greek jails and places of exile.
The Prison Collection: Despite the bleak conditions, he never stopped painting. He used whatever materials he could find to depict the daily lives of prisoners, creating a hauntingly beautiful collection of works in soft, dim tones.
First Recognition: His prison works were first exhibited at the Zygos gallery in 1961, immediately establishing him as a master of "critical realism."
The "Ora" Cultural Center: A Beacon in the Dark
In 1969, during the height of the Greek military junta (1967–1974), Baharian founded the Ora Artistic and Cultural Center in a neoclassical building near Syntagma Square.
Cultural Hub: Under his direction, "Ora" became the most vital intellectual hub in Athens. It wasn't just a gallery; it was a sanctuary for music, poetry, and debate, keeping the spirit of free thought alive when it was most suppressed.
Graphic Arts: He also taught graphic design at the Vakalo School, bridging the gap between fine art and commercial communication.
Artistic Evolution
While his early work was defined by the "dark" realism of his imprisonment, his later years saw a transition toward watercolors.
The Master of Light: His watercolor landscapes are celebrated for their technical perfection and sensitive use of color, reflecting a more poetic and serene outlook on the world.
International Presence: He presented over 38 solo exhibitions and represented Greece in major international forums, including the European Watercolor Institute in Brussels (1987).
Legacy
Assadour Baharian died in Athens in 1990. In 2003, the National Bank of Greece Cultural Foundation (MIET) organized a massive retrospective of his work, solidifying his place as one of the most important Greek artists of the post-war era.
"He regained his liberty at 36, but he never let his spirit be imprisoned."
This unique watercolor painting is originaly framed and it's final dimensions including sheet/canvas/frame is 91x73X2cm

