Sergio Romero - Elevación 123






Holds a master's degree in film and visual arts; experienced curator, writer, and researcher.
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Sergio Romero, Elevación 123, an acrylic painting on synthetic paper, 50 x 70 cm, 100 g, hand-signed, original edition from 2026, produced in Spain and sold directly by the artist, post-2020 period, in excellent condition with a certificate of authenticity.
Description from the seller
High-quality, resistant synthetic paper painting on polypropylene.
Delivered unframed, rolled, and perfectly protected in a rigid tube.
Certificate of authenticity is provided.
Sergio Romero is a self-taught visual artist who, since 2020, has been developing an abstract language based on gestural repetition and the progressive construction of linear structures that emerge from a deeply intuitive process.
His works are configured from networks of lines that organically expand across the surface, generating graphic systems where each stroke responds to both body gesture and the rhythm of thought. The drawing begins without an initial center and grows freely on the support, allowing the structure to organize itself as the image develops.
Once this initial network is established, color appears as a force that activates the spaces generated by the structure, introducing focal points of intensity that reinforce the visual architecture of the composition.
As the artist himself notes:
“My works arise from intuition, but they always end up constructing a precise architecture.”
In this sense, his creative process can be understood as a progressive journey in which the work begins as intuition, grows as a system, and ends as architecture.
The repetition of the stroke functions as a process of concentration and progressive construction, where line, rhythm, and color integrate into compositions that evoke mental cartographies or expanding visual systems. His artistic practice thus unfolds as a territory of exploration where gesture, structure, and intuition combine in a unique visual language.
Over the years his work has evolved organically, developing in parallel with his own life experience. Without responding to a predefined program, each work is part of a continuous process where the visual language naturally transforms as the artist advances in his practice.
In 2025 he received the Artist of the Year Award from the President of the International Federation of Culture and Arts in South Korea, and he has been recognized as an accredited artist by Akoun.
Sergio Romero’s work has achieved international exposure in recent years, participating in art exhibitions and fairs in cities such as Madrid, Paris, Dubai, Berlin, Zurich, Venice, Barcelona, Athens, and Palma.
Among his recent presentations are:
2025 – Haegeumgang Art Museum, South Korea
2025 – Digital fair on Artsy (March 20 – June 20)
2024 – Times Square, New York · MADS Gallery
2024 – Madrid · 1819 Art Gallery
2024 – Paris · Expo Paris
2024 – Athens · international exhibition
2024 – Dubai · Artboxy
2024 – Barcelona · Miim Spais
2023 – Zurich · Art Expo
2023 – Zurich · Thomson Gallery
2023 – Venice · Cipriarte, Finity Gallery
2023 – Madrid · Origen Gallery
2023 – Madrid · 1819 Art Gallery
High-quality, resistant synthetic paper painting on polypropylene.
Delivered unframed, rolled, and perfectly protected in a rigid tube.
Certificate of authenticity is provided.
Sergio Romero is a self-taught visual artist who, since 2020, has been developing an abstract language based on gestural repetition and the progressive construction of linear structures that emerge from a deeply intuitive process.
His works are configured from networks of lines that organically expand across the surface, generating graphic systems where each stroke responds to both body gesture and the rhythm of thought. The drawing begins without an initial center and grows freely on the support, allowing the structure to organize itself as the image develops.
Once this initial network is established, color appears as a force that activates the spaces generated by the structure, introducing focal points of intensity that reinforce the visual architecture of the composition.
As the artist himself notes:
“My works arise from intuition, but they always end up constructing a precise architecture.”
In this sense, his creative process can be understood as a progressive journey in which the work begins as intuition, grows as a system, and ends as architecture.
The repetition of the stroke functions as a process of concentration and progressive construction, where line, rhythm, and color integrate into compositions that evoke mental cartographies or expanding visual systems. His artistic practice thus unfolds as a territory of exploration where gesture, structure, and intuition combine in a unique visual language.
Over the years his work has evolved organically, developing in parallel with his own life experience. Without responding to a predefined program, each work is part of a continuous process where the visual language naturally transforms as the artist advances in his practice.
In 2025 he received the Artist of the Year Award from the President of the International Federation of Culture and Arts in South Korea, and he has been recognized as an accredited artist by Akoun.
Sergio Romero’s work has achieved international exposure in recent years, participating in art exhibitions and fairs in cities such as Madrid, Paris, Dubai, Berlin, Zurich, Venice, Barcelona, Athens, and Palma.
Among his recent presentations are:
2025 – Haegeumgang Art Museum, South Korea
2025 – Digital fair on Artsy (March 20 – June 20)
2024 – Times Square, New York · MADS Gallery
2024 – Madrid · 1819 Art Gallery
2024 – Paris · Expo Paris
2024 – Athens · international exhibition
2024 – Dubai · Artboxy
2024 – Barcelona · Miim Spais
2023 – Zurich · Art Expo
2023 – Zurich · Thomson Gallery
2023 – Venice · Cipriarte, Finity Gallery
2023 – Madrid · Origen Gallery
2023 – Madrid · 1819 Art Gallery
