EMIR BERCUTTE - I'NOT B***SY - Toile L






Over 10 years' experience in art trade and previously founded his own gallery.
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Emir Bercutte presents I'NOT B***SY - Toile L, a 80 x 80 cm mixed media artwork (AI-assisted) created in 2024, edition limited 1/10, signed by hand, produced in France and sold by Galerie, in excellent condition.
Description from the seller
Magnificent street art work inspired by the influence of the greatest street artist, Bansky. On each photo in the collection, a message is painted on the wall like graffiti. This work is the fruit of a silent artistic conversation between my imagination and a well-trained artificial intelligence algorithm called Midjourney.
Canvas print mounted on a wooden frame ready to hang.
The certificate of authenticity as well as the label signed by the artist to be affixed to the back of the painting are sent separately by postal mail for security reasons.
The work is directly shipped by our German partner laboratory for printing quality reasons.
Who is the artist
EMIR BERCUTTE, born in 1968 in Paris, develops an early sensitivity to urban landscapes and the forms of expression that cross them. After a long journey outside the institutional art field, he fully committed to creation starting in 2010.
Passionate about street art, which he considers the most direct and vibrant of contemporary visual languages, he begins by roaming the cities of the world to document their walls. His photographic work focuses on ephemeral works, the traces left by artists, and the silent dialogues between the street, architecture, and images. He photographs both the great capitals and more peripheral territories, building over the years a vast visual archive of global street art.
In 2023, Emir Bercutte begins a new turn by integrating artificial intelligence into his practice. He approaches it not as a disruptive tool, but as an extension of his perspective as a photographer and lover of street art. From his own images and references drawn from urban culture, he creates hybrid works where the memory of walls, tags, and murals dialogues with forms generated by AI. His compositions question the notion of authorship, reproduction, and the survival of images in a digital world.
Today, Emir Bercutte’s work sits at the border between photography and algorithmic creation, offering a new way of thinking about street art in the age of artificial intelligence.
Magnificent street art work inspired by the influence of the greatest street artist, Bansky. On each photo in the collection, a message is painted on the wall like graffiti. This work is the fruit of a silent artistic conversation between my imagination and a well-trained artificial intelligence algorithm called Midjourney.
Canvas print mounted on a wooden frame ready to hang.
The certificate of authenticity as well as the label signed by the artist to be affixed to the back of the painting are sent separately by postal mail for security reasons.
The work is directly shipped by our German partner laboratory for printing quality reasons.
Who is the artist
EMIR BERCUTTE, born in 1968 in Paris, develops an early sensitivity to urban landscapes and the forms of expression that cross them. After a long journey outside the institutional art field, he fully committed to creation starting in 2010.
Passionate about street art, which he considers the most direct and vibrant of contemporary visual languages, he begins by roaming the cities of the world to document their walls. His photographic work focuses on ephemeral works, the traces left by artists, and the silent dialogues between the street, architecture, and images. He photographs both the great capitals and more peripheral territories, building over the years a vast visual archive of global street art.
In 2023, Emir Bercutte begins a new turn by integrating artificial intelligence into his practice. He approaches it not as a disruptive tool, but as an extension of his perspective as a photographer and lover of street art. From his own images and references drawn from urban culture, he creates hybrid works where the memory of walls, tags, and murals dialogues with forms generated by AI. His compositions question the notion of authorship, reproduction, and the survival of images in a digital world.
Today, Emir Bercutte’s work sits at the border between photography and algorithmic creation, offering a new way of thinking about street art in the age of artificial intelligence.
