EMIR BERCUTTE - I'NOT ROBIN - Toile L






Over 10 years' experience in art trade and previously founded his own gallery.
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EMIR BERCUTTE, I'NOT ROBIN - Toile L, 2024, a limited edition canvas on wood panel mounted and ready to hang, with mixed media and AI techniques, hand signed, edition 1/10, 80 x 80 cm, France origin, sold by Galerie, contemporary period from 2020 onward.
Description from the seller
Magnificent street art work in the style of the greatest street artist Banksy.
On every photo in the collection, a message is on the wall like graffiti.
This work is the result of a silent artistic conversation between my imagination and a well-trained artificial intelligence algorithm called Midjourney.
Canvas print mounted on a wooden frame, ready to hang.
The certificate of authenticity as well as the label signed by the artist to be affixed to the back of the painting are sent separately by mail for security reasons.
The artwork is shipped directly by our German partner laboratory for reasons of print quality.
Who is the artist
EMIR BERCUTTE, born in 1968 in Paris, develops an early sensitivity to urban landscapes and the forms of expression that cross them. After a long career outside the institutional art scene, he fully dedicates himself to creation from 2010.
Passionate about street art, which he considers the most direct and vibrant of contemporary visual writings, he begins by traveling the world's cities to document their walls. His photographic work focuses on ephemeral works, the traces left by artists, and the silent dialogues between the street, architecture, and images. He photographs both major capitals and more peripheral territories, building over the years a vast visual archive of global street art.
In 2023, Emir Bercutte begins a new turning point by integrating artificial intelligence into his practice. He approaches it not as a tool of rupture, but as an extension of his photographer’s gaze and his love of street art. Based on his own images and references drawn from urban culture, he creates hybrid works where the memory of walls, tags, and frescoes dialogues with forms generated by AI. His compositions question the notion of authorship, reproduction, and the survival of images in a digital world.
Today, Emir Bercutte’s work sits at the border between photography and algorithmic creation, proposing a new way of thinking about street art in the age of artificial intelligence.
Magnificent street art work in the style of the greatest street artist Banksy.
On every photo in the collection, a message is on the wall like graffiti.
This work is the result of a silent artistic conversation between my imagination and a well-trained artificial intelligence algorithm called Midjourney.
Canvas print mounted on a wooden frame, ready to hang.
The certificate of authenticity as well as the label signed by the artist to be affixed to the back of the painting are sent separately by mail for security reasons.
The artwork is shipped directly by our German partner laboratory for reasons of print quality.
Who is the artist
EMIR BERCUTTE, born in 1968 in Paris, develops an early sensitivity to urban landscapes and the forms of expression that cross them. After a long career outside the institutional art scene, he fully dedicates himself to creation from 2010.
Passionate about street art, which he considers the most direct and vibrant of contemporary visual writings, he begins by traveling the world's cities to document their walls. His photographic work focuses on ephemeral works, the traces left by artists, and the silent dialogues between the street, architecture, and images. He photographs both major capitals and more peripheral territories, building over the years a vast visual archive of global street art.
In 2023, Emir Bercutte begins a new turning point by integrating artificial intelligence into his practice. He approaches it not as a tool of rupture, but as an extension of his photographer’s gaze and his love of street art. Based on his own images and references drawn from urban culture, he creates hybrid works where the memory of walls, tags, and frescoes dialogues with forms generated by AI. His compositions question the notion of authorship, reproduction, and the survival of images in a digital world.
Today, Emir Bercutte’s work sits at the border between photography and algorithmic creation, proposing a new way of thinking about street art in the age of artificial intelligence.
