Stefano Nurra - Golf-eeng VIII





| €60 | ||
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| €55 | ||
| €50 | ||
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Stefano Nurra, Golf-eeng VIII, acrylic painting on gesso, limited edition 1/1, 2025, 40 cm high by 30 cm wide, Italy, modern style, hand-signed, in excellent condition.
Description from the seller
The composition is built around a dominant diagonal, a dense green band that traverses the surface like a corridor suspended between contrasting planes. The painterly gesture is dense, layered, almost sculptural: the black and white fields emerge as solid masses, while the green, more polished, suggests a walkable space, a trajectory.
The minute figures — barely indicated — introduce a silent narrative dimension. They are not protagonists, but presences: one stationary individual, another in motion, both immersed in an environment that seems more mental than real. The little flag, a minimal sign yet symbolically powerful, recalls the idea of a goal, of arrival, but placed on an unstable, almost precarious surface.
The work plays on the contrast between control and matter: on one side the clear direction of the diagonal, on the other the irregularity of the edges and surfaces. From this arises a visual tension that transforms space into experience, where the path is not linear but inclined, uncertain, open to interpretation.
The composition is built around a dominant diagonal, a dense green band that traverses the surface like a corridor suspended between contrasting planes. The painterly gesture is dense, layered, almost sculptural: the black and white fields emerge as solid masses, while the green, more polished, suggests a walkable space, a trajectory.
The minute figures — barely indicated — introduce a silent narrative dimension. They are not protagonists, but presences: one stationary individual, another in motion, both immersed in an environment that seems more mental than real. The little flag, a minimal sign yet symbolically powerful, recalls the idea of a goal, of arrival, but placed on an unstable, almost precarious surface.
The work plays on the contrast between control and matter: on one side the clear direction of the diagonal, on the other the irregularity of the edges and surfaces. From this arises a visual tension that transforms space into experience, where the path is not linear but inclined, uncertain, open to interpretation.

