Marco Ercoli - Qui gladio ferit gladio perit





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Marco Ercoli, Qui gladio ferit gladio perit, a 1:1 paper-layering sculpture from 2016, 70 × 7 cm (depth 0.3 cm), made of 180 g paper, hand-signed, from Italy, in excellent condition.
Description from the seller
Marco Ercoli (1986) Italy
Title: Here the sword wounds, the sword perishes
Technique: paper-layering
Composition: More than 10,000 sheets of colored paper from the manufacturer, personally selected at 180 g, cut, shaped, and glued individually by hand.
Process: Each sheet follows the millimeter cross-section of the weapon, creating a solid structure that, in density and weight, returns the paper to its origin: wood.
Year: 2016
Dimensions: 1:1 Sword (70x7x0.3)
Signature on the guard
"Here the sword wounds, the sword perishes"
The Aesthetics of Time: Over 10,000 Fragments
This work arises from a challenge to the speed of our time. It is the result of meticulous stratification: over 10,000 sheets of 180 g paper, cut one by one by hand at a 1:1 scale. Through this paper-layering technique, the paper undergoes a physical metamorphosis, regaining the density and nobility of wood, its original essence. The fragility of a single sheet disappears into a single, solid, vibrant body of color.
The Harmony of Opposites
The title, "Here the sword wounds, the sword perishes," evokes ancient wisdom that is reinterpreted here in a contemporary key. The Roman gladius, a historic symbol of strength and rigor, is transformed into an object of pure light. The use of complementary colors and tones of peace creates a visual oxymoron: the historic icon is "disarmed" by beauty, becoming a chromatic totem that invites contemplation rather than conflict.
A Transversal Visual Power
The image was designed to have immediate and universal impact. In a society that favors immediacy, this work offers instant visual gratification through color contrast, while concealing a technical complexity that requires slow observation. It is a tribute to handiwork as a form of resistance: a work that speaks to everyone, but reveals its true density only to those who dedicate time to understanding the detail.
Technical Details:
Technique: Manual millimeter-stratified sculpture (Unique Piece).
Material: Fine 180 g paper treated for wooden-like compactness.
Concept: Metamorphosis of the historical symbol through color and time.
Marco Ercoli’s Works have passed through the Colasanti auction house:
https://www.colasantiaste.com/it/artisti/marco-ercoli-1327
The artist is listed in Arsvalue’s artist catalog:
https://www.arsvalue.com/en/lots/1278322/marco-ercoli-roma-1986-albero-della-vita
Instagram Page:
https://www.instagram.com/marco__ercoli/
Marco Ercoli
Artistic Curriculum
Awards and Recognitions
2024: Selected among the "222 Artists to Invest in 2024", a curated editoral volume by Exibart.
2023 – Gualdo Tadino: Realization of the Palio for the 2023 edition of the "Giochi de le Porte", presented with a standing ovation at the Monumental Church of San Francesco.
2019 – Isernia: Winner P.A.C.I. Award, Quality Award, Auditorium Città d'Isernia.
2012 – France: Colart fellowship at the Atelier "Plessix-Madeuc".
2008 – Rome: Winner of "MarteLive", Quality Award, painting section.
Solo Exhibitions
2023 – Gualdo Tadino (PG): "In Your Eyes", Museo Pole, Monumental Church of San Francesco, curated by Cesare Biasini Selvaggi.
2022 – Rome: "Epimetheus", Gallery 28 Piazza di Pietra, curated by Giorgia Basili.
2021 – Massa Lubrense (NA): "Night", Art Hotel Villa Fiorella, curated by Giorgia Basili.
2016 – Rome: "7", Galleria Curva Pura, curated by Serena Di Giovanni.
2010 – Rome: "F(R)ame", Libreria Einaudi.
2009 – Rome: "Collection of Butterflies".
2009 – Rome: "Matter and Ego", Galleria Casina Giustiniani.
Group Exhibitions and Pavilions
2018 – Basel (Switzerland): "Summer Exhibition", Galerie Eulenspiegel.
2018 – Rome: "Profane liquid, for external use only", Studio Giga, curated by Bianca Catalano.
2015 – Rome: "Radiate", TakeawayGallery.
2015 – Fermo: Stripe Festival Art and Architecture.
2015 – Milan: Affordable Art Fair Milan (AAF), Superstudio Più, Stand E5 (White Noise Gallery).
2015 – Rome: "Any Given Post-it", White Noise Gallery.
2013 – Rome: "First Art Hotel", Galleria Muciaccia.
2012 – Rome: "Rendez-vous", Galleria ArtePerOggi.
2012 – France: "Les Atelier du Plessix-Madeuc", Abbaye St Magloire, Lehon.
2011 – Turin: Venice Biennale, Italy Pavilion.
Installations and Special Projects
2018 – Civitella D'Agliano (VT): "Agora", Permanent Installation, project 1 Artist 1 Day, Contaminazioni d'Arte.
Marco Ercoli (1986) Italy
Title: Here the sword wounds, the sword perishes
Technique: paper-layering
Composition: More than 10,000 sheets of colored paper from the manufacturer, personally selected at 180 g, cut, shaped, and glued individually by hand.
Process: Each sheet follows the millimeter cross-section of the weapon, creating a solid structure that, in density and weight, returns the paper to its origin: wood.
Year: 2016
Dimensions: 1:1 Sword (70x7x0.3)
Signature on the guard
"Here the sword wounds, the sword perishes"
The Aesthetics of Time: Over 10,000 Fragments
This work arises from a challenge to the speed of our time. It is the result of meticulous stratification: over 10,000 sheets of 180 g paper, cut one by one by hand at a 1:1 scale. Through this paper-layering technique, the paper undergoes a physical metamorphosis, regaining the density and nobility of wood, its original essence. The fragility of a single sheet disappears into a single, solid, vibrant body of color.
The Harmony of Opposites
The title, "Here the sword wounds, the sword perishes," evokes ancient wisdom that is reinterpreted here in a contemporary key. The Roman gladius, a historic symbol of strength and rigor, is transformed into an object of pure light. The use of complementary colors and tones of peace creates a visual oxymoron: the historic icon is "disarmed" by beauty, becoming a chromatic totem that invites contemplation rather than conflict.
A Transversal Visual Power
The image was designed to have immediate and universal impact. In a society that favors immediacy, this work offers instant visual gratification through color contrast, while concealing a technical complexity that requires slow observation. It is a tribute to handiwork as a form of resistance: a work that speaks to everyone, but reveals its true density only to those who dedicate time to understanding the detail.
Technical Details:
Technique: Manual millimeter-stratified sculpture (Unique Piece).
Material: Fine 180 g paper treated for wooden-like compactness.
Concept: Metamorphosis of the historical symbol through color and time.
Marco Ercoli’s Works have passed through the Colasanti auction house:
https://www.colasantiaste.com/it/artisti/marco-ercoli-1327
The artist is listed in Arsvalue’s artist catalog:
https://www.arsvalue.com/en/lots/1278322/marco-ercoli-roma-1986-albero-della-vita
Instagram Page:
https://www.instagram.com/marco__ercoli/
Marco Ercoli
Artistic Curriculum
Awards and Recognitions
2024: Selected among the "222 Artists to Invest in 2024", a curated editoral volume by Exibart.
2023 – Gualdo Tadino: Realization of the Palio for the 2023 edition of the "Giochi de le Porte", presented with a standing ovation at the Monumental Church of San Francesco.
2019 – Isernia: Winner P.A.C.I. Award, Quality Award, Auditorium Città d'Isernia.
2012 – France: Colart fellowship at the Atelier "Plessix-Madeuc".
2008 – Rome: Winner of "MarteLive", Quality Award, painting section.
Solo Exhibitions
2023 – Gualdo Tadino (PG): "In Your Eyes", Museo Pole, Monumental Church of San Francesco, curated by Cesare Biasini Selvaggi.
2022 – Rome: "Epimetheus", Gallery 28 Piazza di Pietra, curated by Giorgia Basili.
2021 – Massa Lubrense (NA): "Night", Art Hotel Villa Fiorella, curated by Giorgia Basili.
2016 – Rome: "7", Galleria Curva Pura, curated by Serena Di Giovanni.
2010 – Rome: "F(R)ame", Libreria Einaudi.
2009 – Rome: "Collection of Butterflies".
2009 – Rome: "Matter and Ego", Galleria Casina Giustiniani.
Group Exhibitions and Pavilions
2018 – Basel (Switzerland): "Summer Exhibition", Galerie Eulenspiegel.
2018 – Rome: "Profane liquid, for external use only", Studio Giga, curated by Bianca Catalano.
2015 – Rome: "Radiate", TakeawayGallery.
2015 – Fermo: Stripe Festival Art and Architecture.
2015 – Milan: Affordable Art Fair Milan (AAF), Superstudio Più, Stand E5 (White Noise Gallery).
2015 – Rome: "Any Given Post-it", White Noise Gallery.
2013 – Rome: "First Art Hotel", Galleria Muciaccia.
2012 – Rome: "Rendez-vous", Galleria ArtePerOggi.
2012 – France: "Les Atelier du Plessix-Madeuc", Abbaye St Magloire, Lehon.
2011 – Turin: Venice Biennale, Italy Pavilion.
Installations and Special Projects
2018 – Civitella D'Agliano (VT): "Agora", Permanent Installation, project 1 Artist 1 Day, Contaminazioni d'Arte.

