Alban d'Orfeuil - Imperium Noir





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Alban d'Orfeuil presents Imperium Noir, a limited-edition mixed-media artwork from France (1/10), 18 × 12 cm, framed, signed, created in 2020 or later in a pop art style depicting culture pop.
Description from the seller
Enter a composition where timeless icon and raw street art energy fuse in a striking visual contrast. The imposing silhouette emerges from a burst background of projections and textures, asserting a presence that is at once dark, powerful, and immediately recognizable.
The interaction between deep black, vibrant yellow, and instinctive pictorial gestures creates an intense graphic tension, transforming this mythical figure into a contemporary symbol of domination, style, and visual impact.
Title: “Imperium Noir”
Dimensions: 12 × 18 inches (30.5 × 45.7 cm)
Print limited to xx copies – Edition: x/xx - Signed, Numbered
Each work is signed and numbered by the artist. No reprints will be produced once the series is complete, guaranteeing the definitive rarity of this format.
High-definition giclée art print produced with pigment inks on premium 344 g/m² canvas, stretched on a professional-grade wooden frame.
A signed certificate of authenticity accompanies the piece, specifying the title, year of creation, technique used, and edition number.
Alban D’Orfeuil is a contemporary artist whose work explores symbols of power, finance, and success through a dense and expressive urban aesthetic. His visual universe blends iconic figures from popular culture with the codes of contemporary capitalism, in compositions where opulence and graphic tension cohabit.
His works stage familiar icons immersed in environments saturated with signs: financial markets, monetary accumulation, instinctive graffiti, raw materials, and chromatic splashes. Each element becomes a marker of our era, revealing the dynamics of ambition, domination, and desire that structure the collective imagination.
Through this confrontation between popular culture and financial iconography, Alban D’Orfeuil questions the theatracization of wealth and the construction of the modern myth of success. The characters, seated in a posture of almost sovereign assurance, move through spaces charged with energy, oscillating between subtle satire and admitted glorification.
Between pop heritage, stock market culture, and contemporary street aesthetics, Alban D’Orfeuil develops a recognizable signature where prosperity becomes a visual language, and where each work stands as a statement on power, money, and the illusion of control.
Enter a composition where timeless icon and raw street art energy fuse in a striking visual contrast. The imposing silhouette emerges from a burst background of projections and textures, asserting a presence that is at once dark, powerful, and immediately recognizable.
The interaction between deep black, vibrant yellow, and instinctive pictorial gestures creates an intense graphic tension, transforming this mythical figure into a contemporary symbol of domination, style, and visual impact.
Title: “Imperium Noir”
Dimensions: 12 × 18 inches (30.5 × 45.7 cm)
Print limited to xx copies – Edition: x/xx - Signed, Numbered
Each work is signed and numbered by the artist. No reprints will be produced once the series is complete, guaranteeing the definitive rarity of this format.
High-definition giclée art print produced with pigment inks on premium 344 g/m² canvas, stretched on a professional-grade wooden frame.
A signed certificate of authenticity accompanies the piece, specifying the title, year of creation, technique used, and edition number.
Alban D’Orfeuil is a contemporary artist whose work explores symbols of power, finance, and success through a dense and expressive urban aesthetic. His visual universe blends iconic figures from popular culture with the codes of contemporary capitalism, in compositions where opulence and graphic tension cohabit.
His works stage familiar icons immersed in environments saturated with signs: financial markets, monetary accumulation, instinctive graffiti, raw materials, and chromatic splashes. Each element becomes a marker of our era, revealing the dynamics of ambition, domination, and desire that structure the collective imagination.
Through this confrontation between popular culture and financial iconography, Alban D’Orfeuil questions the theatracization of wealth and the construction of the modern myth of success. The characters, seated in a posture of almost sovereign assurance, move through spaces charged with energy, oscillating between subtle satire and admitted glorification.
Between pop heritage, stock market culture, and contemporary street aesthetics, Alban D’Orfeuil develops a recognizable signature where prosperity becomes a visual language, and where each work stands as a statement on power, money, and the illusion of control.

