German school (XVIII) - Bischof






Master in early Renaissance Italian painting with internship at Sotheby’s and 15 years' experience.
Catawiki Buyer Protection
Your payment’s safe with us until you receive your object.View details
Trustpilot 4.4 | 129594 reviews
Rated Excellent on Trustpilot.
Description from the seller
Representative portrait painting from the 18th century, produced in the southern German / Bavarian region. Age-related craquelure, the handwoven canvas, and the details of the stretcher speak for a creation in the 18th century.
Depicted is a high-ranking ecclesiastical dignitary, probably a prince-bishop or ecclesiastical prince of the empire. He wears a black clerical garment with a tall blue collar, over which a richly decorated cross of the order is worn. An ermine robe lies over the arm as a sign of secular authority. In the background there is a princely crown as another insignium of his position.
The portrayal combines ecclesiastical dignity with princely representation, a typical feature of the South German church princes of the 18th century.
On the back of the canvas is the handwritten designation:
“Ludwig Seitz pinx it” with a year. Ludwig Seitz (1844–1908) was a prominent German history and church painter. It is plausible that the work was restored or revised by him in the 19th century. The reverse inscription points more toward a later alteration or restoration than to an original authorship.
Representative portrait painting from the 18th century, produced in the southern German / Bavarian region. Age-related craquelure, the handwoven canvas, and the details of the stretcher speak for a creation in the 18th century.
Depicted is a high-ranking ecclesiastical dignitary, probably a prince-bishop or ecclesiastical prince of the empire. He wears a black clerical garment with a tall blue collar, over which a richly decorated cross of the order is worn. An ermine robe lies over the arm as a sign of secular authority. In the background there is a princely crown as another insignium of his position.
The portrayal combines ecclesiastical dignity with princely representation, a typical feature of the South German church princes of the 18th century.
On the back of the canvas is the handwritten designation:
“Ludwig Seitz pinx it” with a year. Ludwig Seitz (1844–1908) was a prominent German history and church painter. It is plausible that the work was restored or revised by him in the 19th century. The reverse inscription points more toward a later alteration or restoration than to an original authorship.
