Arnaud Leturcq (1961) - Le Sangam






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Le Sangam, a 1980 oil painting by Arnaud Leturcq (born 1961), in Realism depicting a landscape, measures 33 cm by 41 cm, originated from France, signed by hand, in original edition and excellent condition.
Description from the seller
This piece is a vibrant testament to Arnaud Leturcq's technical mastery, an artist whose work is characterized by exceptional material force and a unique ability to sculpt light through oil. In this scene, which we can title "Le Sangam" following the author's handwritten inscription on the back, we are confronted with a figurative expressionist exercise where reality filters through a passionate and direct gaze. The work captures the effervescence of a market or meeting place, possibly inspired by his travels through regions where light and color dictate the rhythm of daily life.
From the creator's perspective, the bold use of the spatula and the loaded brush stands out, a thick impasto technique that is Leturcq's indisputable hallmark. Each figure and each tree are not simply drawn, but constructed through planes of pure color that generate a tactile relief, giving the surface a three-dimensionality that changes with the incidence of ambient light. The palette is rich and balanced, dominated by the deep greens of the vegetation that contrast with the earth tones of the ground and the bursts of color in the characters' clothing, achieving a visual harmony that guides the viewer's eye through the composition.
This piece is a vibrant testament to Arnaud Leturcq's technical mastery, an artist whose work is characterized by exceptional material force and a unique ability to sculpt light through oil. In this scene, which we can title "Le Sangam" following the author's handwritten inscription on the back, we are confronted with a figurative expressionist exercise where reality filters through a passionate and direct gaze. The work captures the effervescence of a market or meeting place, possibly inspired by his travels through regions where light and color dictate the rhythm of daily life.
From the creator's perspective, the bold use of the spatula and the loaded brush stands out, a thick impasto technique that is Leturcq's indisputable hallmark. Each figure and each tree are not simply drawn, but constructed through planes of pure color that generate a tactile relief, giving the surface a three-dimensionality that changes with the incidence of ambient light. The palette is rich and balanced, dominated by the deep greens of the vegetation that contrast with the earth tones of the ground and the bursts of color in the characters' clothing, achieving a visual harmony that guides the viewer's eye through the composition.
