Max-Daniel - Saint Sébastien






Holds a master’s in art and culture mediation with extensive gallery assistant experience.
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Max-Daniel Saint Sébastien is an original, unique mixed-media oil painting on canvas (50 x 75 cm), signed and certified, dated 2026, in a postmodern style.
Description from the seller
Max-Daniel
The Good Samaritan
Mixed media on canvas, 50 x 75 cm, unique and original work certified:
AI, digital processing, pigment print on canvas and oil painting by glazes, veils and highlights
Max-Daniel — Saint Sebastian
Original work — Unique piece — Signed and certified
About the artist
Max-Daniel is a Parisian artist whose career spans more than fifty years of practice, research, and experimentation. Doctor of Arts and Art Sciences from the Sorbonne, he developed an early interest in the intersections between traditional techniques and emerging technologies. As early as 1989, within the research framework of the programmed art laboratory at the Centre Saint-Charles, he produced his first works combining computing and pictorial practices.
His work has been shown in several exhibitions in Paris and elsewhere, notably in Machines to Communicate at the Cité des Sciences in 1991-1992, at the Egner gallery in 1994 with Retrait-recouvrement, at the IESA gallery in 1995, and later in other contexts, notably at the Futuroscope.
From 1989 to 2026, parallel to his teaching and lecturing activity at the university, Max-Daniel has continued an ongoing personal research into hybrid works, today often referred to as mixed-media. This research explores possible continuities between digital tools, printing processes, and pictorial know-how inherited from several centuries.
Now 69 years old, he combines IA, digital processing, pigment printing on canvas and oil painting by glazes, veils, and highlights, in a technical approach open to multiple centuries of history. His work asserts a decidedly postmodern, free and independent stance, distant from conventional categories, traditional circuits, and narrow definitions of the art market.
Technical note
This work combines techniques from different eras: AI, digital processing, pigment printing on canvas and oil painting by glazes, veils, and highlights, in a technical perspective open to several centuries of history.
Finish: glossy oil varnish by Sennelier.
About the work
With Saint Sebastian, Max-Daniel revisits a major figure of Western iconography in a composition of strong dramatic intensity. The tension of the body, the verticality of the pose, the light passing through the scene, and the richness of the details give the overall piece a striking presence.
The work combines spirituality, classical beauty, and expressive power. The treatment of flesh, wounds, drapery, the tree, and the warrior accessories places the composition in a vision that is both timeless and deeply embodied.
The finish with Sennelier glossy oil varnish enhances color depth, light vibrancy, and the visual density of the whole.
Characteristics
• Artist: Max-Daniel
• Title: Saint Sebastian
• Year: 2026
• Work: original
• Status: unique piece
• Support: canvas
• Signature: yes
• Certificate: yes
• Technique: AI, digital processing, pigment printing on canvas and oil painting by glazes, veils and highlights
• Finish: glossy oil varnish by Sennelier
Sales terms
Sale by professional, with free shipping, insurance included, and refund on simple return under the specified conditions.
⸻
Certificate of authenticity on paper signed as original and unique work provided with the artwork
Max-Daniel is a professional artist registered as an author-artist with Urssaf, and as such he offers a refund on simple return to guarantee your complete satisfaction.
Seller's Story
Max-Daniel
The Good Samaritan
Mixed media on canvas, 50 x 75 cm, unique and original work certified:
AI, digital processing, pigment print on canvas and oil painting by glazes, veils and highlights
Max-Daniel — Saint Sebastian
Original work — Unique piece — Signed and certified
About the artist
Max-Daniel is a Parisian artist whose career spans more than fifty years of practice, research, and experimentation. Doctor of Arts and Art Sciences from the Sorbonne, he developed an early interest in the intersections between traditional techniques and emerging technologies. As early as 1989, within the research framework of the programmed art laboratory at the Centre Saint-Charles, he produced his first works combining computing and pictorial practices.
His work has been shown in several exhibitions in Paris and elsewhere, notably in Machines to Communicate at the Cité des Sciences in 1991-1992, at the Egner gallery in 1994 with Retrait-recouvrement, at the IESA gallery in 1995, and later in other contexts, notably at the Futuroscope.
From 1989 to 2026, parallel to his teaching and lecturing activity at the university, Max-Daniel has continued an ongoing personal research into hybrid works, today often referred to as mixed-media. This research explores possible continuities between digital tools, printing processes, and pictorial know-how inherited from several centuries.
Now 69 years old, he combines IA, digital processing, pigment printing on canvas and oil painting by glazes, veils, and highlights, in a technical approach open to multiple centuries of history. His work asserts a decidedly postmodern, free and independent stance, distant from conventional categories, traditional circuits, and narrow definitions of the art market.
Technical note
This work combines techniques from different eras: AI, digital processing, pigment printing on canvas and oil painting by glazes, veils, and highlights, in a technical perspective open to several centuries of history.
Finish: glossy oil varnish by Sennelier.
About the work
With Saint Sebastian, Max-Daniel revisits a major figure of Western iconography in a composition of strong dramatic intensity. The tension of the body, the verticality of the pose, the light passing through the scene, and the richness of the details give the overall piece a striking presence.
The work combines spirituality, classical beauty, and expressive power. The treatment of flesh, wounds, drapery, the tree, and the warrior accessories places the composition in a vision that is both timeless and deeply embodied.
The finish with Sennelier glossy oil varnish enhances color depth, light vibrancy, and the visual density of the whole.
Characteristics
• Artist: Max-Daniel
• Title: Saint Sebastian
• Year: 2026
• Work: original
• Status: unique piece
• Support: canvas
• Signature: yes
• Certificate: yes
• Technique: AI, digital processing, pigment printing on canvas and oil painting by glazes, veils and highlights
• Finish: glossy oil varnish by Sennelier
Sales terms
Sale by professional, with free shipping, insurance included, and refund on simple return under the specified conditions.
⸻
Certificate of authenticity on paper signed as original and unique work provided with the artwork
Max-Daniel is a professional artist registered as an author-artist with Urssaf, and as such he offers a refund on simple return to guarantee your complete satisfaction.
