Olaf Martens - Sin título

05
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07
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11
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40
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Current bid
€ 10
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Kai Brückner
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Selected by Kai Brückner

Over 35 years' experience; former gallery owner and Museum Folkwang curator.

Estimate  € 800 - € 1,000
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PTBidder 7072
€10

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Description from the seller

Photograph of my private collection signed by the great photographer Olaf Martens, a unique photograph, signed and stamped.
Olaf Martens is a German photographer who composes his images eccentrically as if they were a theater production and, in many cases, with surreal results. His photographs, often built on a palpable humorous base, combine fashion, documentary, conceptual, social, even animal photography, and references to historical and socio-political art. His work has created a personal imprint, easily recognizable and claimed by major brands, which continue to appreciate the freshness and cynicism of his work.
In his images, there is no doubt, all kinds of excesses are present, because he plays with the models, with characters he rescues from the street, includes the waitresses of a catering service, the couturier, or the cleaning ladies.
A student of the renowned Graphik und Buchkunst Academy, his graduation coincided exactly with the regime change, so he developed his creative work under the powerful influence of capitalism.
His beginnings as a photographer took place a few years earlier, in his adolescence, when with a small camera he photographed the few sleeves of the LPs of Western artists who arrived from beyond the wall. Martens photographed and resold the covers in an act of rebellion and subsistence.
The artist celebrated the regime change with publications in Western media, such as the Frankfurter Allgemeine Zeitung and the magazines Stern and Geo. He also began to develop theatrical fashion productions for large brands, which saw in the young photographer a breath of fresh air, an eclectic mix of theater, humor, and historical allegories. This activity gave him more time and money for his projects, but it cut into his creative freedom.
The advent of digital photography led him to succumb to the fascination of new digital techniques, which pushed him to explore the new tools to find the best way to capture his art.
His work has been shown in numerous exhibitions: Kunst Museum in Bonn, Grassi Museum in Leipzig, Moscow House of Photography, Leopold Museum in Vienna, German Historical Museum in Berlin, Deichtorhallen in Hamburg, and it is also found in a large number of private collectors, such as the FC Gundlach Collection and the Sammlung Goetz, Munich.

Olaf Martens is a contemporary photographer recognized mainly for his theatrical, ironic, and provocative style. Although his career stands out more for his international exhibitions and his work in fashion than for a long list of individual awards, he has the following recognitions and notable milestones:
* International Photo Awards (IPA): His project "Dystopia – Spilt Milk", a series that explores the relationship between humans, artificial intelligence, and machines, was awarded in this prestigious international competition.
* Recognition at PHotoEspaña: In 2011, his work was one of the main bets of the EFTI Image Center for the PHotoEspaña festival, where his career was recognized as one of the most interesting photographers to emerge from former East Germany.
* Presence in Museums and Collections: More than conventional awards, Martens has received validation from the art world through inclusion of his work in prestigious collections such as the FC Gundlach Collection and the Sammlung Goetz in Munich.
It is important to note that, often, he is associated in searches with prizes of other contemporary photographers (such as World Press Photo of Fernando Brito or the Sony World Photography Award of Boris Eldagsen), but his status is based on his training at the Academy of Visual Arts in Leipzig and his exhibitions in centers such as the Leopold Museum in Vienna or the German Historical Museum in Berlin.

Photograph of my private collection signed by the great photographer Olaf Martens, a unique photograph, signed and stamped.
Olaf Martens is a German photographer who composes his images eccentrically as if they were a theater production and, in many cases, with surreal results. His photographs, often built on a palpable humorous base, combine fashion, documentary, conceptual, social, even animal photography, and references to historical and socio-political art. His work has created a personal imprint, easily recognizable and claimed by major brands, which continue to appreciate the freshness and cynicism of his work.
In his images, there is no doubt, all kinds of excesses are present, because he plays with the models, with characters he rescues from the street, includes the waitresses of a catering service, the couturier, or the cleaning ladies.
A student of the renowned Graphik und Buchkunst Academy, his graduation coincided exactly with the regime change, so he developed his creative work under the powerful influence of capitalism.
His beginnings as a photographer took place a few years earlier, in his adolescence, when with a small camera he photographed the few sleeves of the LPs of Western artists who arrived from beyond the wall. Martens photographed and resold the covers in an act of rebellion and subsistence.
The artist celebrated the regime change with publications in Western media, such as the Frankfurter Allgemeine Zeitung and the magazines Stern and Geo. He also began to develop theatrical fashion productions for large brands, which saw in the young photographer a breath of fresh air, an eclectic mix of theater, humor, and historical allegories. This activity gave him more time and money for his projects, but it cut into his creative freedom.
The advent of digital photography led him to succumb to the fascination of new digital techniques, which pushed him to explore the new tools to find the best way to capture his art.
His work has been shown in numerous exhibitions: Kunst Museum in Bonn, Grassi Museum in Leipzig, Moscow House of Photography, Leopold Museum in Vienna, German Historical Museum in Berlin, Deichtorhallen in Hamburg, and it is also found in a large number of private collectors, such as the FC Gundlach Collection and the Sammlung Goetz, Munich.

Olaf Martens is a contemporary photographer recognized mainly for his theatrical, ironic, and provocative style. Although his career stands out more for his international exhibitions and his work in fashion than for a long list of individual awards, he has the following recognitions and notable milestones:
* International Photo Awards (IPA): His project "Dystopia – Spilt Milk", a series that explores the relationship between humans, artificial intelligence, and machines, was awarded in this prestigious international competition.
* Recognition at PHotoEspaña: In 2011, his work was one of the main bets of the EFTI Image Center for the PHotoEspaña festival, where his career was recognized as one of the most interesting photographers to emerge from former East Germany.
* Presence in Museums and Collections: More than conventional awards, Martens has received validation from the art world through inclusion of his work in prestigious collections such as the FC Gundlach Collection and the Sammlung Goetz in Munich.
It is important to note that, often, he is associated in searches with prizes of other contemporary photographers (such as World Press Photo of Fernando Brito or the Sony World Photography Award of Boris Eldagsen), but his status is based on his training at the Academy of Visual Arts in Leipzig and his exhibitions in centers such as the Leopold Museum in Vienna or the German Historical Museum in Berlin.

Details

Artist
Olaf Martens
Sold by
Direct from the artist
Title of artwork
Sin título
Condition
Extremely fine
Technique
C-Print
Height
30 cm
Edition
1/1
Width
40 cm
Signature
Hand signed
Genre
Fine art photography
SpainVerified
150
Objects sold
Private

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