Informalist school (c.1950) - NO RESERVE - Untitled composition

INFORMALIST COMPOSITION – MADRID SCHOOL (circa 1960–1975)

Untitled Composition
Oil on canvas
Dimensions: 91 x 117 cm (approx.)
Provenance: Private collection from Madrid

1. IDENTIFICATION
1.1 Authorship
Madrid School, second half of the 20th century.
Work inscribed within the orbit of Spanish informalism, with evident affinities to the languages developed by key figures such as Antoni Tàpies, Manolo Millares, or Antonio Saura.
Presented as an undated work of unidentified author, although its technical quality and stylistic coherence firmly place it within this high-level artistic context.

1.2 Technique and support
Oil on canvas, with material application, gestural handling, and layering.
Pictorial structure based on accumulation, scraping, and spontaneous graphic marks.

1.3 Dimensions
91 x 117 cm (approximate format)
Horizontal format with strong visual presence, typical of works with plastic ambition and an exhibition character.

1.4 Signature and inscriptions
Handwritten label on the reverse with technique note (“oil on canvas”) and numbering.
Signature partially illegible, not yet identified with certainty.

2. ARTISTIC DESCRIPTION

The composition centers around two large fields of tension:
– On the left, an organic vertical form, close to a head or eroded figure, treated with greenish and gray tones.
– On the right, a horizontal mass with linear structures that evoke signs, stairs, or constructive elements.
The background, in pinkish and earthy tones, is worked through intense gestural action, with splashes, incisions, and overlapped layers that generate a continuous visual vibration.
The work does not seek literal representation, but rather an almost archaeological presence, where the material seems to have been excavated rather than painted.

3. HISTORICAL CONTEXT AND SCHOOL

This painting is fully immersed in the language of postwar Spanish informalism, developed in Madrid from the late 1950s.
In this context, artists linked to the El Paso group and its circle explored:
– Matter as protagonist
– Gesture as language
– The destruction of traditional form

The work shows clear affinities with this spirit, placing itself in an aesthetic line that dialogues with:
– the material density of Tàpies
– the structural rawness of Millares
– the expressive intensity of Saura
All within a coherent, non-imitative language, pointing to a well-formed author fully conscious of the plastic discourse of his time.

4. CONDITION

Good overall condition.
– Firm canvas
– Stable paint layer
– No visible interventions altering the original reading

The work preserves intact its material and expressive force.

5. GUARANTEE AND TRANSPARENCY
– Provenance: private contemporary art collection from Madrid
– Photographs taken under neutral light, without filters or alterations
– The work is presented with maximum descriptive honesty, within its real stylistic context
It is offered as an authentic piece of the period, without forced attribution, respecting professional cataloging criteria.

6. COLLECTING OPPORTUNITY

We are facing a piece of particular interest for several reasons:
– Its undeniable plastic quality
– Its clear insertion into one of the most relevant moments of 20th-century Spanish art
– Its open authorship, inviting investigation and discovery
This type of piece, when it emerges from private collections and outside institutional circuits, represents a real opportunity for the collector.
It is not uncommon for works of this profile, initially cataloged within a school or surrounding context, to later be related to specific authors with higher market value.
In this sense, the present painting functions not only as an aesthetically striking work, but also as a possible rediscovery piece within the landscape of Spanish informalism.

Professional packing and insured shipping.
The work will be carefully protected to guarantee its perfect receipt.