Adeline Dupuy - Palmier






Studied art history at Ecole du Louvre and specialised in contemporary art for over 25 years.
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Adeline Dupuy presents Palmier, an original acrylic landscape painting on canvas, 64 by 54 cm, 2 kg, signed and dated on the back, with a certificate of authenticity, in excellent condition, ready to hang, produced from 2020 onwards and sold directly from the artist in France.
Description from the seller
Acrylic on canvas
Ready to hang
The canvas is pre-prepared with reliefs to give texture to the canvas before applying the color.
The edges of the canvas are white
The canvas is signed and dated by hand on the back
Certificate of authenticity
Sent well protected
Adeline started painting classes in 2011 in Australia inspired by the colors and the layering she finds in street art very present in the streets of Melbourne.
Back in France, trained as a geologist, color remains a guiding thread in her life as it often reveals the history of the landscape.
It is in 2022 that she begins training at the School of Fine Arts of Bordeaux and the work on color and large formats gives another dimension to her painting.
Her approach is to work with acrylic by building up glazes, a very diluted layer of color to let transparency, depth, lightness, evanescence and vulnerability attributed to the subject appear.
What interests her is semi-figuration where the subject remains identifiable but the rest is suggested and leaves room for projection and the spectator's imagination. It is precisely when the painting escapes us that the invisible glows.
Acrylic on canvas
Ready to hang
The canvas is pre-prepared with reliefs to give texture to the canvas before applying the color.
The edges of the canvas are white
The canvas is signed and dated by hand on the back
Certificate of authenticity
Sent well protected
Adeline started painting classes in 2011 in Australia inspired by the colors and the layering she finds in street art very present in the streets of Melbourne.
Back in France, trained as a geologist, color remains a guiding thread in her life as it often reveals the history of the landscape.
It is in 2022 that she begins training at the School of Fine Arts of Bordeaux and the work on color and large formats gives another dimension to her painting.
Her approach is to work with acrylic by building up glazes, a very diluted layer of color to let transparency, depth, lightness, evanescence and vulnerability attributed to the subject appear.
What interests her is semi-figuration where the subject remains identifiable but the rest is suggested and leaves room for projection and the spectator's imagination. It is precisely when the painting escapes us that the invisible glows.
