Jone Hopper - Belle à l'éventail






Over 10 years' experience in art trade and previously founded his own gallery.
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Jone Hopper, a French artist born in 1977, presents Belle à l'éventail, a mixed‑media painting on canvas (aerosol, pastel and acrylic) dating from 2020 or later, 55 cm high by 46 cm wide, produced in France, sold directly by the artist, original edition, signed by hand and in excellent condition, with a certificate of authenticity.
Description from the seller
Born in 1977, Jone Hopper is a French artist.
At the end of the 1980s, he learns his craft on the street through an emerging movement of the time: graffiti. He tags his name on walls and on trains. Known for his characters and his aerosol signatures, he creates the collective TBS (The Brutal Style) with Skepa and a few other committed graffiti writers. We know little about him because the artist stays faithful to the spirit of graffiti and wishes to remain anonymous, considering that it is the artwork that should be highlighted, not the person. Unlisted on social networks, absent from openings, a faceless artist, he remains a true mystery except for a few gallery owners in the know. He compares his painting to a Hip Hop track, borrowing from Basquiat, Keith Haring, Picasso, Matisse, Andy Warhol or even Bacon; he draws from all artistic movements, from Modern to Contemporary, passing through Classical, he acts as a sampler... he samples, cuts, assembles, and thus creates new images.
- Mixed techniques: aerosol, pastel, and acrylic on canvas
- With certificate of authenticity
Born in 1977, Jone Hopper is a French artist.
At the end of the 1980s, he learns his craft on the street through an emerging movement of the time: graffiti. He tags his name on walls and on trains. Known for his characters and his aerosol signatures, he creates the collective TBS (The Brutal Style) with Skepa and a few other committed graffiti writers. We know little about him because the artist stays faithful to the spirit of graffiti and wishes to remain anonymous, considering that it is the artwork that should be highlighted, not the person. Unlisted on social networks, absent from openings, a faceless artist, he remains a true mystery except for a few gallery owners in the know. He compares his painting to a Hip Hop track, borrowing from Basquiat, Keith Haring, Picasso, Matisse, Andy Warhol or even Bacon; he draws from all artistic movements, from Modern to Contemporary, passing through Classical, he acts as a sampler... he samples, cuts, assembles, and thus creates new images.
- Mixed techniques: aerosol, pastel, and acrylic on canvas
- With certificate of authenticity
