Yuni R. P - Veleros: Reflejos de Seda y Mar





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Description from the seller
Painting by the artist Yuni R. P in oil on canvas, entirely worked with a spatula. Dimensions of the work: 53 x 73 cm, corresponding to the painting, with a peripheral white margin for better mounting or framing.
Once sold, the works are shipped within a maximum of three days to anywhere in the world. Each piece is carefully packaged, protected with paper and bubble wrap, and sent in a rigid high-strength cardboard tube, ensuring perfect preservation during transport.
Yuni R. P is a young artist with solid professional training who currently lives and works in Havana, Cuba. His work is distinguished by a highly personal pictorial language, developed almost exclusively through the use of the spatula, a tool with which he builds compositions of great visual impact and marked expressiveness.
His painting is characterized by a rich impasto, loose brushwork, and an intensely colorful palette, where light and movement constantly converse. In his impressionist treatment, there is a clear influence of Joaquín Sorolla, especially in the way luminosity, dynamism, and color vibration are approached, always from a contemporary and deeply personal perspective.
The themes he addresses arise from an emotional connection with nature and the landscape: marine scenes, ships sailing, fauna, flowers, and evocative cities form a pictorial universe filled with nostalgia and admiration for classical art. His works do not seek literal description, but rather the evocation of sensations, awakening in the viewer intense emotions and latent memories.
Yuni’s paintings possess a frontal and enveloping presence; they are works that must be contemplated in person, since photography cannot fully capture the richness of the impasto, the depth of color, or the energy of the pictorial gesture. The spatula allows him to build vibrant surfaces, with layers of paint that convey solidity, movement, and an almost tactile expressiveness.
His work is, in essence, a celebration of color, matter, and emotion: a painting that invites stopping, observing, and feeling.
This seascape, masterfully executed in oil, is a study of light and movement within the contemporary impressionist style. The technique is defined by a bold use of the spatula, which allows the artist to construct forms through blocks of color with generous impasto, giving the canvas a virtually three-dimensional texture, especially visible in the crests of the foam and the sails. The composition places the sailing ships in a near-mid plane, allowing their reflections to merge with the chromatic play of the shore.
The painter demonstrates exceptional control of the palette, using pure whites and cerulean blues to evoke the freshness of the water, in contrast with mauve, pink, and orange tones that suggest warm and enveloping light. Through these swift and confident brushstrokes, the artist aims to convey a sense of vitality, freedom, and optimism. The work does not seek anatomical precision of the vessels, but rather to capture the effervescence of the moment, the visual sound of the waves breaking, and the lightness of the sails gliding over a surface that seems in constant transformation."
Painting by the artist Yuni R. P in oil on canvas, entirely worked with a spatula. Dimensions of the work: 53 x 73 cm, corresponding to the painting, with a peripheral white margin for better mounting or framing.
Once sold, the works are shipped within a maximum of three days to anywhere in the world. Each piece is carefully packaged, protected with paper and bubble wrap, and sent in a rigid high-strength cardboard tube, ensuring perfect preservation during transport.
Yuni R. P is a young artist with solid professional training who currently lives and works in Havana, Cuba. His work is distinguished by a highly personal pictorial language, developed almost exclusively through the use of the spatula, a tool with which he builds compositions of great visual impact and marked expressiveness.
His painting is characterized by a rich impasto, loose brushwork, and an intensely colorful palette, where light and movement constantly converse. In his impressionist treatment, there is a clear influence of Joaquín Sorolla, especially in the way luminosity, dynamism, and color vibration are approached, always from a contemporary and deeply personal perspective.
The themes he addresses arise from an emotional connection with nature and the landscape: marine scenes, ships sailing, fauna, flowers, and evocative cities form a pictorial universe filled with nostalgia and admiration for classical art. His works do not seek literal description, but rather the evocation of sensations, awakening in the viewer intense emotions and latent memories.
Yuni’s paintings possess a frontal and enveloping presence; they are works that must be contemplated in person, since photography cannot fully capture the richness of the impasto, the depth of color, or the energy of the pictorial gesture. The spatula allows him to build vibrant surfaces, with layers of paint that convey solidity, movement, and an almost tactile expressiveness.
His work is, in essence, a celebration of color, matter, and emotion: a painting that invites stopping, observing, and feeling.
This seascape, masterfully executed in oil, is a study of light and movement within the contemporary impressionist style. The technique is defined by a bold use of the spatula, which allows the artist to construct forms through blocks of color with generous impasto, giving the canvas a virtually three-dimensional texture, especially visible in the crests of the foam and the sails. The composition places the sailing ships in a near-mid plane, allowing their reflections to merge with the chromatic play of the shore.
The painter demonstrates exceptional control of the palette, using pure whites and cerulean blues to evoke the freshness of the water, in contrast with mauve, pink, and orange tones that suggest warm and enveloping light. Through these swift and confident brushstrokes, the artist aims to convey a sense of vitality, freedom, and optimism. The work does not seek anatomical precision of the vessels, but rather to capture the effervescence of the moment, the visual sound of the waves breaking, and the lightness of the sails gliding over a surface that seems in constant transformation."

