Krass Clement - Across the Cut - 2019





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Krass Clement's Across the Cut, 1st Edition hardback (136 pages), English, published by RRB Photobooks in 2019; condition: as new.
Description from the seller
Krass Clement's 'Across the Cut' emerged from a brief visit he made to Bristol in June 2016. He had been invited to speak at Photobook Bristol and also to discuss a potential future publishing project. He hadn't planned this book, but it developed during his stay. Unlike much of his other work, he began editing and sequencing his images as soon as he returned to Denmark. His time in Bristol coincided with the period leading up to the UK referendum on its future membership in the European Union. The idea that Britain might leave the EU deeply troubled Krass Clement and undoubtedly influenced his mood and perception while taking the photographs.
The ambiguities of being left behind, loneliness, feelings of limbo and powerlessness are present in all of Krass Clement's books and are not specific to any one place, but few portray these themes as powerfully as his images of Bristol's Cut.
The Cut is an artificial canal that was built in the early 19th century to help create a floating harbor. It is about 3 kilometers long and divides Bristol, with the traditionally more prosperous part located on the north side. Most of Krass Clement's photographs were taken on the south side.
Seller's Story
Krass Clement's 'Across the Cut' emerged from a brief visit he made to Bristol in June 2016. He had been invited to speak at Photobook Bristol and also to discuss a potential future publishing project. He hadn't planned this book, but it developed during his stay. Unlike much of his other work, he began editing and sequencing his images as soon as he returned to Denmark. His time in Bristol coincided with the period leading up to the UK referendum on its future membership in the European Union. The idea that Britain might leave the EU deeply troubled Krass Clement and undoubtedly influenced his mood and perception while taking the photographs.
The ambiguities of being left behind, loneliness, feelings of limbo and powerlessness are present in all of Krass Clement's books and are not specific to any one place, but few portray these themes as powerfully as his images of Bristol's Cut.
The Cut is an artificial canal that was built in the early 19th century to help create a floating harbor. It is about 3 kilometers long and divides Bristol, with the traditionally more prosperous part located on the north side. Most of Krass Clement's photographs were taken on the south side.

