Royal Mask - Baule - Côte d'Ivoire

03
days
12
hours
50
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27
seconds
Current bid
€ 1
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Julien Gauthier
Expert
Selected by Julien Gauthier

With almost a decade of experience bridging science, museum curation, and traditional blacksmithing, Julien has developed a unique expertise in historical arms, armour, and African art.

Estimate  € 350 - € 400
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Masque royal of the Baoulé people from Côte d'Ivoire, provenance Collection privée; 36 cm high, 1 cm wide, 1 cm deep; weight 1 g; excellent condition; sold without a stand.

AI-assisted summary

Description from the seller

- Private collection inherited from a Frenchman who traveled in Central Africa in the 1960s-70s. Having participated in public health missions in remote villages, André was sensitized to the arts of the first peoples, their forms and their uses. As was often customary, the services rendered were thanked with gifts at departure, including masks, statues and other objects charged with meaning. The collection of several dozen pieces was also completed by on-site purchases, particularly in Bujumbura, as well as in France subsequently.

The Baoulé masks (Ivory Coast) are renowned in the history of African art for their exceptional sculptural refinement. Characterized by oval faces with idealized features — a prominent forehead, almond-shaped eyes, a fine nose, a delicate mouth — they embody an aesthetic ideal that transcends mere representation to access a form of timeless grace.

This refinement reflects the Baoulé conception of beauty as a cosmic and moral value. Among the Baoulé, art is not decorative but existential: sculpting an accomplished mask is to honor the harmony between the visible and invisible worlds. The entertaining masks (Mblo), notably commemorative portraits, illustrate this formal demand brought to its peak, where every detail — scarifications, hairstyle, expression — signals the identity and social status of the represented subject.

Baoulé culture, structured around matrilinearity and ancestor worship, confers on these objects an essential mediating function. The masks participate in funeral ceremonies, conflict resolution, and festive performances, ensuring community cohesion. Their striking formal modernity attracted European avant-gardes, although this aesthetic reception often obscured their ritual dimension.

Presentation of our house of expertise

Based in Belgium, our house of expertise and sale specializes in African art and ethnography. A leading seller on Catawiki for more than 8 years, we enjoy a solid reputation and a history of several hundred sales with an almost 100% satisfaction rate.

We regularly assist liquidations, successions and dispersions of collections, in collaboration with individuals and families in Belgium and in neighboring countries. Our approach is rigorous, transparent and accessible, with sales often proposed without reserve prices.

Some pieces that have passed through our hands have joined international private collections and, for some, museum institutions.

Shipping within 24 hours, with careful packaging, insurance and tracking. Contact 7 days a week: we remain available for any questions or requests for additional information.

- Private collection inherited from a Frenchman who traveled in Central Africa in the 1960s-70s. Having participated in public health missions in remote villages, André was sensitized to the arts of the first peoples, their forms and their uses. As was often customary, the services rendered were thanked with gifts at departure, including masks, statues and other objects charged with meaning. The collection of several dozen pieces was also completed by on-site purchases, particularly in Bujumbura, as well as in France subsequently.

The Baoulé masks (Ivory Coast) are renowned in the history of African art for their exceptional sculptural refinement. Characterized by oval faces with idealized features — a prominent forehead, almond-shaped eyes, a fine nose, a delicate mouth — they embody an aesthetic ideal that transcends mere representation to access a form of timeless grace.

This refinement reflects the Baoulé conception of beauty as a cosmic and moral value. Among the Baoulé, art is not decorative but existential: sculpting an accomplished mask is to honor the harmony between the visible and invisible worlds. The entertaining masks (Mblo), notably commemorative portraits, illustrate this formal demand brought to its peak, where every detail — scarifications, hairstyle, expression — signals the identity and social status of the represented subject.

Baoulé culture, structured around matrilinearity and ancestor worship, confers on these objects an essential mediating function. The masks participate in funeral ceremonies, conflict resolution, and festive performances, ensuring community cohesion. Their striking formal modernity attracted European avant-gardes, although this aesthetic reception often obscured their ritual dimension.

Presentation of our house of expertise

Based in Belgium, our house of expertise and sale specializes in African art and ethnography. A leading seller on Catawiki for more than 8 years, we enjoy a solid reputation and a history of several hundred sales with an almost 100% satisfaction rate.

We regularly assist liquidations, successions and dispersions of collections, in collaboration with individuals and families in Belgium and in neighboring countries. Our approach is rigorous, transparent and accessible, with sales often proposed without reserve prices.

Some pieces that have passed through our hands have joined international private collections and, for some, museum institutions.

Shipping within 24 hours, with careful packaging, insurance and tracking. Contact 7 days a week: we remain available for any questions or requests for additional information.

Details

Indigenous object name
Royal Mask
Ethnic group/ culture
Baule
Country of Origin
Côte d'Ivoire
Sold with stand
No
Condition
Excellent condition
Height
36 cm
Width
1 cm
Depth
1 cm
Weight
1 g
Provenance
Private collection
BelgiumVerified
1097
Objects sold
96.69%
Private

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