Sculpture, Le baiser donné - 29 cm - Bronze, Wood





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Bronze sculpture on a wooden base, titled Le baiser donné, in the Art Nouveau style, unsigned, measuring 22 cm wide by 29 cm high by 15 cm deep and weighing 4 kg, origin unknown.
Description from the seller
This sculpture is a reproduction of the work titled "Le Baiser Donné" (El beso dado), created by the renowned French neoclassical sculptor Jean-Antoine Houdon (1741–1828). Houdon is especially celebrated for his realistic portraits of key figures of the Enlightenment, such as Voltaire, Benjamin Franklin, and George Washington.
Details of the Work
Composition: It depicts a young couple in a passionate embrace. The young man wears a ribbon in his wavy hair (classic Greek style), while the woman wears a light tunic that reveals her chest.
Symbolism: A garland of flowers unites the two lovers, symbolizing their union and mutual attraction in an "ode to sensuality".
Style: It is an example of French Neoclassicism, characterized by naturalism in the forms and precise details in the hair and features.
Context: The original 18th-century work has been widely reproduced in bronze during the 19th and early 20th centuries, often mounted on marble or wood bases.
This sculpture is a reproduction of the work titled "Le Baiser Donné" (El beso dado), created by the renowned French neoclassical sculptor Jean-Antoine Houdon (1741–1828). Houdon is especially celebrated for his realistic portraits of key figures of the Enlightenment, such as Voltaire, Benjamin Franklin, and George Washington.
Details of the Work
Composition: It depicts a young couple in a passionate embrace. The young man wears a ribbon in his wavy hair (classic Greek style), while the woman wears a light tunic that reveals her chest.
Symbolism: A garland of flowers unites the two lovers, symbolizing their union and mutual attraction in an "ode to sensuality".
Style: It is an example of French Neoclassicism, characterized by naturalism in the forms and precise details in the hair and features.
Context: The original 18th-century work has been widely reproduced in bronze during the 19th and early 20th centuries, often mounted on marble or wood bases.

