Songye ancestor statue - Songye - DR Congo

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Julien Gauthier
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Selected by Julien Gauthier

A decade of experience in historical arms, armour, and African art.

Estimate  € 550 - € 650
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Description from the seller

Origin. Democratic Republic of Congo
Tribe name. Songye
Material. Wood, copper, horn
Dimension. 70 cm without horn and 77 with horn
Shipping mode. Colissimo within 24-48h, open.

This sculpture is a classic example of Nkishi (plural: mankishi), a power figure from the Songye culture in the Democratic Republic of Congo. These objects are not mere decorative statues, but ritual instruments charged with a precise spiritual function.

The figure adopts a hieratic standing posture, hands resting on a prominent abdomen. This position underscores the importance of the belly, often considered the seat of life and the place where magical substances are stored.

Head and Hairstyle: The most striking element is the pointed, twisted protuberance on top of the skull. This 'horn' is characteristic of Songye mankishi and often symbolizes power, the connection with the divine, or the aggressive nature of the power contained in the statue. The face features a typical stylization: globular eyes, a broad nose, and a mouth slightly open.

The Navel: The hollow marked at the level of the abdomen is a ritual site. In Songye tradition, this orifice is intended to receive magical substances called bwilé (medicines or ritual ingredients) believed to confer the statue its effectiveness and power.

The necklace of colored beads adds a symbolic and aesthetic dimension, a common practice to 'dress' and honor the ritual object.

The wood bears a dark, ancient patina, suggesting repeated handling over time and prolonged exposure to the smoke of rituals and to sacrificial oils, which reinforces the authenticity and ritual use of the piece.

Cultural Context and Function.
The Songye Nkishi are powerful mediation objects. Here is what to remember about their role:
Protection and Healing: These figures were commissioned by chiefs or diviners to protect the community, ensure fertility, heal diseases, or promote success in hunts and harvests.
The Role of the Nganga: Only the nganga (the ritual specialist or diviner) was authorized to create and 'activate' the statue by inserting magical ingredients into the navel or the cranial cavity.
Active Power: The statue’s value lies less in its aesthetic sculpture than in its ability to act in the invisible world. It is seen as a living receptacle of a spiritual force that must be respected, nourished, and consulted.
This sculpture is a striking testimony to Songye aesthetics, which favor expressive distortion, geometric tension, and a monumental presence, even in small-scale formats.

Origin. Democratic Republic of Congo
Tribe name. Songye
Material. Wood, copper, horn
Dimension. 70 cm without horn and 77 with horn
Shipping mode. Colissimo within 24-48h, open.

This sculpture is a classic example of Nkishi (plural: mankishi), a power figure from the Songye culture in the Democratic Republic of Congo. These objects are not mere decorative statues, but ritual instruments charged with a precise spiritual function.

The figure adopts a hieratic standing posture, hands resting on a prominent abdomen. This position underscores the importance of the belly, often considered the seat of life and the place where magical substances are stored.

Head and Hairstyle: The most striking element is the pointed, twisted protuberance on top of the skull. This 'horn' is characteristic of Songye mankishi and often symbolizes power, the connection with the divine, or the aggressive nature of the power contained in the statue. The face features a typical stylization: globular eyes, a broad nose, and a mouth slightly open.

The Navel: The hollow marked at the level of the abdomen is a ritual site. In Songye tradition, this orifice is intended to receive magical substances called bwilé (medicines or ritual ingredients) believed to confer the statue its effectiveness and power.

The necklace of colored beads adds a symbolic and aesthetic dimension, a common practice to 'dress' and honor the ritual object.

The wood bears a dark, ancient patina, suggesting repeated handling over time and prolonged exposure to the smoke of rituals and to sacrificial oils, which reinforces the authenticity and ritual use of the piece.

Cultural Context and Function.
The Songye Nkishi are powerful mediation objects. Here is what to remember about their role:
Protection and Healing: These figures were commissioned by chiefs or diviners to protect the community, ensure fertility, heal diseases, or promote success in hunts and harvests.
The Role of the Nganga: Only the nganga (the ritual specialist or diviner) was authorized to create and 'activate' the statue by inserting magical ingredients into the navel or the cranial cavity.
Active Power: The statue’s value lies less in its aesthetic sculpture than in its ability to act in the invisible world. It is seen as a living receptacle of a spiritual force that must be respected, nourished, and consulted.
This sculpture is a striking testimony to Songye aesthetics, which favor expressive distortion, geometric tension, and a monumental presence, even in small-scale formats.

Details

Number of objects
1
Ethnic group/ culture
Songye
Country of Origin
DR Congo
Period
Late 20th century
Material
Wood
Sold with stand
No
Condition
Good condition
Title of artwork
Songye ancestor statue
Height
77 cm
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